An eccentric millionaire and his grandchildren are embroiled in the plights of some forest gnomes who are searching for the rest of their tribe. While helping them, the millionaire is ... See full summary »
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
The movie combines songs, color and sequences of live action blended with the movements of animated figures. Mary Poppins is a kind of Super-nanny who flies in with her umbrella in response to the request of the Banks children and proceeds to put things right with the aid of her rather extraordinary magical powers. Written by
The old woman in the park Bert talks to in the beginning of the film (with the two tall daughters) is Mrs. Corry. In the book she ran the sweet shop in the park and in the Broadway show this is where they buy the letters to make the word "supercalifragilisticexpialidocious". The shop is mentioned once by Mary Poppins in the film before she and the children make a detour to Uncle Albert's house. See more »
Mr. Banks tears Jane and Michael's advertisement into eight pieces. Only eight pieces of paper float up the chimney, but at least twice as many are shown coming out of the top of the chimney. See more »
All right, ladies an' gents! Comical poem! Suitable for the occasion, extemporized and thought up before your very eyes! All right, 'ere we go!
Room 'ere for everyone. Gather around.
The constable - responstable! Now 'ow does that sound?
[dashes over to Miss Lark, sings]
'Ello, Miss Lark, I've got one for you.
[...] See more »
In the end credit cast list, the actor playing Mr. Dawes, Sr. is initially shown as NAVCKID KEYD, then the letters unscramble themselves to show that this is a second role played by Dick Van Dyke. See more »
Julie's film debut began the world's love affair with her--and what a marvelous vehicle for doing so. Julie appears here in fine voice and is radiantly beautiful.
The performance is more than deserving of the Oscar, especially considering that she had to act to blue screens and objects/characters from within her imagination. No easy task, certainly.
I also love the way Julie, as Mary, refuses to acknowledge the free-for-all that is going on around her. She simply pushes her hair primly back in place and presses on, despite the dancing chimney sweeps and giggling uncles that surround her. "I never explain anything," she blithely comments.
The score is one of my favorites in all the Disney canon. The Sherman brothers outdid themselves with "Stay Awake," one of the most under-appreciated lullabys ever written, and the hauntingly winsome "Feed the Birds."
The Disney animators have created a visual feast as bottomless and surprising as Mary Poppins' carpetbag. The Peter Ellenshaw matte shots are breathtaking. My favorite visual moments? Bert and Mary's live-action reflections in a pond are eddied by a family of cartoon geese. I also love when Bert, Mary, and the children ascend a staircase constructed only of chimney smoke. Brilliant!
There are a few drawbacks: The film's a little over-long, especially in the final third where Mary's but an afterthought in all the plot resolution. In addition, Van Dyke was an excellent choice for his singing and dancing (and popularity), but his cockney accent does grate after a while.
But all in all, this is a tour de force for all involved!
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