Overview
MOVIEmeter: 
No change in popularity this week. See
why on
IMDbPro.
Release Date:
22 July 1964 (USA)
more
Tagline:
"You don't love me. I'm just some kind of wild animal you've trapped!"
more
Plot:
Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.
full summary |
full synopsis
Awards:
1 nomination
more
Crew verified as complete
Additional Details
Runtime:
130 min
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1
more
Sound Mix:
Mono (Westrex Recording System)
Fun Stuff
Trivia:
When
Louise Latham came onto the set in her "young" makeup to film the film's climactic flashback, she looked so different that the cameraman began to ask around to find out who the new actress was.
more
Goofs:
Continuity: When Mark is driving with Marnie after confronting her, the exterior shot shows the Continental in the right lane of the highway, but in the interior shot that immediately follows, the rear projection shows them in the left lane.
more
Quotes:
[
first lines]
Sidney Strutt:
Robbed! Cleaned out! $9,967! Precisely as I told you over the telephone. And that girl did it. Marion Holland. That's the girl. Marion Holland.
First Detective:
Can you describe her Mr. Strutt?
Sidney Strutt:
Certainly I can describe her: five-five, 110 pounds, size 8 dress, blue eyes, black wavy hair, even features, good teeth.
Sidney Strutt:
[
detectives unable to restrain laughter] Well what's so damn funny? There's been a grand larceny committed on these premises.
more
FAQ
Does Alfred Hitchcock have a cameo?
How does the movie end?
Why didn't Mark fire and turn Marnie in once he discovered that she was a thief and a liar?
more
more (150 total)
Message Boards
Discuss this movie with other users on
IMDb message board for Marnie (1964)
more
Recommendations
Related Links
The rumors surrounding Marnie - the last in an amazing run of truly great Hitchcock movies that lasted from 1950-1964 - are plentiful. All of them consist of director Alfred Hitchcock's growing obsession for Tippi Hedrin (who starred in The Birds one year earlier). By the end of the movie, Hitchcock would not talk to Hedrin or even refer to her by name (this following a supposed failed pass at Hedrin), and his friends say Marnie was the last movie Hitchcock truly cared about.
Regardless of the rumors, Marnie was a box-office failure and went unnoticed until recently when DVD brought back Hitchcock's unremarkable films, along with his classics. And behold, from the ashes ariseth... Marnie.
Starring Hedrin as Marnie and Sean Connery as the man who falls in love with her, this movie tells of a compulsive thief and pathalogical liar who is caught by Connery and blackmailed into marrying him. Connery finds that Hedrin has incredible fears of red and thunderstorms, refuses to let men touch her and has disturbing dreams brought on by knocks at her door. Connery must play the dual role of keeping Marnie away from the police while trying to find out why she does what she does.
This is indeed an excellent Hitchcock film. He reminds the audience that he did start out directing silent movies, and uses this silence very well in the robbery/cleaning lady scene. The moments leading up to Marnie's revealing flashback are incredible, and the movie reeks of typical Hitchcock: slow, methodic pacing to a brilliant and stunning climax.
Marnie is not a patented "Hitchcock classic": The fades-to-red have not aged well (if they ever did look good), the horse-riding scenes just don't work, and the backgrounds are obviously fake (although it has been speculated that Hitchcock did this on purpose -- whatever the case he later regretted it). But the basic premise, the acting, the directing are all top notch and have turned Marnie into another of the "Underrated Hitchcock"s.
8/10