7.2/10
37,127
213 user 81 critic

Marnie (1964)

Approved | | Crime, Drama, Mystery | 22 July 1964 (USA)
Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.

Director:

Writers:

(from the novel by), (screenplay)
Reviews

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
1 nomination. See more awards »
Learn more

People who liked this also liked... 

Torn Curtain (1966)
Thriller
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

An American scientist publicly defects to East Germany as part of a cloak and dagger mission to find the solution for a formula resin before planning an escape back to the West.

Director: Alfred Hitchcock
Stars: Paul Newman, Julie Andrews, Lila Kedrova
Frenzy (1972)
Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A serial murderer is strangling women with a necktie. The London police have a suspect, but he is the wrong man.

Director: Alfred Hitchcock
Stars: Jon Finch, Barry Foster, Barbara Leigh-Hunt
Topaz (1969)
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.

Director: Alfred Hitchcock
Stars: Frederick Stafford, Dany Robin, John Vernon
Family Plot (1976)
Comedy | Thriller
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A phony psychic/con artist and her taxi driver/private investigator boyfriend encounter a pair of serial kidnappers while trailing a missing heir in California.

Director: Alfred Hitchcock
Stars: Karen Black, Bruce Dern, Barbara Harris
Comedy | Mystery
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

The trouble with Harry is that he's dead, and everyone seems to have a different idea of what needs to be done with his body...

Director: Alfred Hitchcock
Stars: John Forsythe, Shirley MacLaine, Edmund Gwenn
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

Director: Alfred Hitchcock
Stars: James Stewart, Doris Day, Brenda de Banzie
Saboteur (1942)
Thriller | War
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Aircraft factory worker Barry Kane goes on the run across the United States when he is wrongly accused of starting a fire that killed his best friend.

Director: Alfred Hitchcock
Stars: Priscilla Lane, Robert Cummings, Otto Kruger
The Birds (1963)
Drama | Horror | Mystery
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.

Director: Alfred Hitchcock
Stars: Rod Taylor, Tippi Hedren, Jessica Tandy
The Wrong Man (1956)
Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.

Director: Alfred Hitchcock
Stars: Henry Fonda, Vera Miles, Anthony Quayle
Mystery | Romance | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

When a reformed jewel thief is suspected of returning to his former occupation, he must ferret out the real thief in order to prove his innocence.

Director: Alfred Hitchcock
Stars: Cary Grant, Grace Kelly, Jessie Royce Landis
Thriller
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A young woman discovers her visiting uncle may not be the man he seems to be.

Director: Alfred Hitchcock
Stars: Teresa Wright, Joseph Cotten, Macdonald Carey
Suspicion (1941)
Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A shy young heiress marries a charming gentleman, and soon begins to suspect he is planning to murder her.

Director: Alfred Hitchcock
Stars: Cary Grant, Joan Fontaine, Cedric Hardwicke
Edit

Cast

Complete credited cast:
...
Marnie Edgar (as 'Tippi' Hedren)
...
...
Louise Latham ...
...
...
Bob Sweeney ...
Milton Selzer ...
Man at Track
...
Edith Evanson ...
Rita - Cleaning Woman
...
Susan Clabon
...
Sailor
...
...
Mrs. Turpin
Edit

Storyline

Marnie Edgar is a habitual liar and a thief who gets jobs as a secretary and after a few months robs the firms in question, usually of several thousand dollars. When she gets a job at Rutland's, she also catches the eye of the handsome owner, Mark Rutland. He prevents her from stealing and running off, as is her usual pattern, but also forces her to marry him. Their honeymoon is a disaster and she cannot stand to have a man touch her and on their return home, Mark has a private detective look into her past. When he has the details of what happened in her childhood to make her what she is, he arranges a confrontation with her mother realizing that reliving the terrible events that occurred in her childhood and bringing out those repressed memories is the only way to save her. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Would his touch end Marnie's unnatural fears or start them again? See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

22 July 1964 (USA)  »

Also Known As:

Alfred Hitchcock's Marnie  »

Filming Locations:

 »

Edit

Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$7,000,000
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System) (uncredited)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Alfred Hitchcock considered Marlon Brando and Peter O'Toole for the role of Mark Rutland. See more »

Goofs

During the storm scene, Mark leads Marnie to sit on the sofa. For a moment, you can see Mark's lips moving but you can't hear what he is saying. See more »

Quotes

[first lines]
Sidney Strutt: Robbed! Cleaned out! $9,967! Precisely as I told you over the telephone. And that girl did it. Marion Holland. That's the girl. Marion Holland.
First Detective: Can you describe her, Mr. Strutt?
Sidney Strutt: Certainly I can describe her: five feet five, 110 pounds, size 8 dress, blue eyes, black wavy hair, even features, good teeth.
[detectives unable to restrain laughter]
Sidney Strutt: Well what's so damn funny? There's been a grand larceny committed on these premises.
See more »

Connections

Featured in Plotting 'Family Plot' (2001) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Mother, mother, I am ill...."
16 November 2006 | by See all my reviews

Far and away my favourite Hitch and in my top five movies of all time (yes, I'm very biased but there you go), "Marnie" stands out as one of the most deliciously bitter, malevolent and sardonic "romance" stories ever made, and it doesn't surprise me in the least that it is either sworn by or passionately hated by general public. It is, however, no less influential than any of the acclaimed and widely loved films that Hitch made previously. Even the staunchest of Hitchcock's fans seem to be bitterly divided over this one though, some among them simply not being able to forgive him for being so direct and blatant in choice and treatment of his subject matter (let alone technical inadequacies) - and for delivering a slow, sombre, pain ridden and malignant psychosexual drama, whereas others, myself included, revel in those very aspects of the film. Hedren and Connery's singular coupling on screen and their performances have also been subject to much heated debate - in my opinion they're both excellent, in that they very successfully portray genuinely unlovable characters and play off one another almost instinctively and to great effect, helped by a phenomenally sarcastic dialogue and more than memorable quips ("The idea was to kill myself, not to feed the damned fish", as well as the entire "You Freud, me Jane" sequence). Delightful.

Hedren is adequately surly, bitter, spiteful, troubled and fragile all at the same time, her average acting talents and icy beauty working for the film rather than against it, whereas Connery is nothing short of a perverse yet suave male filthy pig dying to get in between her treasured legs and "take legal possession" for precisely those reasons. Unsurprisingly, the chapter in acclaimed Truffaut's book of interviews with Hitch that belongs to "Marnie" is subtitled "Un Amour Fetishiste"

  • read it. It's interesting that Hitchcock had troubles with his
leading ladies in some of his best films - his disdain of Kim Novak and endless arguments he had with her on set are all well documented, in addition to his falling out with Hedren halfway through "Marnie". Both films are laced with moments of electrifying energy maybe just for that reason, and both women look spectacular on screen. In any case, it's perfect casting for both leads in this one, in addition to a brilliant support led by Latham and Baker, not to mention Herrmann's emotional score, which so assuredly bounces between hysterical, pleading, lustful, torturous, and tragic - and back again.

Aside from directorial touches of genius (who doesn't get goosebumps when Marnie first reveals her face after washing out the hair dye) - there are undoubtedly many, many flaws and technically weak places in the film - the zooming in and out on the money in the Rutland safe is a particular standout in that respect, totally over the top and downright silly. Obviously painted backdrops and horseriding sequences have all been slagged off to death as well (altough surprisingly these don't seem to bother people that much when systematically applied in "The Birds"), but they are more than compensated for by the greyish, autumnal and trance-like feel of the film, and are very likely deliberately calculated in to greatly enhance the overall atmosphere. Hitch doesn't even try to win the viewer's affection by injecting a bit of his trademark humour in this doleful story and rightly so - it would have suffered immeasurably and would have been totally out of place. For this is a serious film about both female and male emotional and sexual hang ups (Hedren: "I'm sick?? Well take a look at yourself, old dear!!...you've got a pathological fix on a woman who's not only an admitted criminal but who screams if you come near her!!" - Connery: "Well I never said I was perfect") - "un grand film malade", as Truffaut affectionately put it - therefore no humour, apart from the bitterest variety, no happy ending, no sympathetic characters we can identify with, nothing. But the manner in which the film ends - the car departing, exiting from screen where previously we saw no street, road or way out - gives a flicker of hope that Marnie will eventually, with or without Mark, be able to find her peace. You can either love or despise the symbolism - it's entirely left to you.


25 of 33 people found this review helpful.  Was this review helpful to you?
Review this title | See all 213 user reviews »

Contribute to This Page

Paul Scheer on Why There Are No Bad Movies

Paul Scheer discusses The Disaster Artist and his love of awesomely bad movies. Plus, we dive into the origins of midnight movies and explore how The Room became a cult classic.

Watch now