Marnie Edgar is a habitual liar and a thief who gets jobs as a secretary and after a few months robs the firms in question, usually of several thousand dollars. When she gets a job at Rutland's, she also catches the eye of the handsome owner, Mark Rutland. He prevents her from stealing and running off, as is her usual pattern, but also forces her to marry him. Their honeymoon is a disaster and she cannot stand to have a man touch her and on their return home, Mark has a private detective look into her past. When he has the details of what happened in her childhood to make her what she is, he arranges a confrontation with her mother realizing that reliving the terrible events that occurred in her childhood and bringing out those repressed memories is the only way to save her. Written by
To film real horses riding without having to work outdoors, Alfred Hitchcock came up with the idea of running the horses on a gigantic treadmill. Crew members objected to the idea because it was considered highly unsafe and because they simply didn't think it would work. Still, Hitchcock wanted to at least try it, and when they did, it worked without a problem. Originally, a harness was attached to Tippi Hedren during these shots for safety reasons, but it was removed when it was found to impede shooting. See more »
When Lil gallops off on her horse to chase after Marnie, her riding hat falls off and rolls along the ground. In the next shot she has no hat, which is consistent with losing it. However when she arrives at the old lady's house just after Marnie's horse fall, she is wearing the hat. See more »
Robbed! Cleaned out! $9,967! Precisely as I told you over the telephone. And that girl did it. Marion Holland. That's the girl. Marion Holland.
Can you describe her Mr. Strutt?
Certainly I can describe her: five-five, 110 pounds, size 8 dress, blue eyes, black wavy hair, even features, good teeth.
[detectives unable to restrain laughter]
Well what's so damn funny? There's been a grand larceny committed on these premises.
See more »
Marnie is a misunderstood masterpiece from the Hitchcock. Often cited as an example of a messy, flawed genius - it can be off putting to some since its quite talky. However stick with it and you will be intrigued and itching to discover all about Marnie (contrary to what most say, played with understated brilliance from Tippi Hedren).
The direction and cinematography is exceptional with Hitchcock and his usual crew i.e. Rob Burks etc on form. The atmosphere generated (apart from being 'Hitchcocky') is unique, dark, gloomy and at times akin to a horror film, yet it is utterly appealing and compelling. Theres an almost creepy, artificial humanless feel to proceedings as a result of the direction and how the actors have been directed to act as is briefly highlighted by a Hitchcock scholar in the documentary on the disk. Hitchcock knows the art of cinema, no flashy fast cuts or fast moving camera's as we see nowadays, but measured, inspired direction laced with flourishes of creative genius (thats Hithcock for you). Atmosphere, emotion is built up like poetry. Witness for example some moments of genius such as the final revelation, in what is one of Hitchcocks most underrated, powerful and shocking pieces of direction; the riding sequence which culminates in Marnies fantastic yet disturbing line of dialogue, " there there....", and also sinister momnets such as when Marnies mother wakes here from her nightmare- her voice disturbingly artificial in its lack of emotion and empathy for a clearly distraught Marnie.
Speaking of the mother, Louise Latham -the actress behind the role effortlessly steals the show from an already superb Hedren and Connery. Latham eleicits an absolutely breathtaking performance. Her character is frighteningly creepy, tragic, powerful and marvellously played to keep up the suspense and intrigue. You don't know what to make of the character except of the fact she knows or has played a part in Marnies psychological condition. In fact I would go as far as to say it is one of the greatest performances in a Hitchcock picture - an example of genius casting. Similarly her character is arguably the greatest 'mother' character in any Hitchcock film beating Pyscho and Notorious' madame Sebastion.
Marnie is a truly great picture and definetly Hitchcocks last great although Frenzy is a nice enough distraction. Not as good as Vertigo or Rear Window but certainly up there in the higher echelons of Hitchcocks work.
59 of 86 people found this review helpful.
Was this review helpful to you?