Lilith is a about a mysterious young woman in an elite sanitarium in New England, who seems to weave a magical spell all around her. A restless, but sincere young man with an equally ...
See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One." As he returns to the stage and becomes successful, he fears that the mob will track him... See full summary »
Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon... See full summary »
Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love ... See full summary »
Eva Marie Saint,
A young lady has been widowed and left with a baby son to bring up alone. She decides that the baby needs a father figure and decides to marry a psychologist. She hides her son with an ... See full summary »
1933: An ocean liner belonging to a second-rate German company is making a twenty-six day voyage from Veracruz, Mexico to Bremerhaven, Germany. Along the way it will stop in Cuba to pick up... See full summary »
Silvana Mangano (a very lovely & sexy voiced actress) plays a young, poor Venetian woman, Giovanna Masetti. She is struggling with an difficult life as a shop assistant when one day a young... See full summary »
Seiji Iwahashi is released early from a 10-year prison sentence for killing the boss of a rival. He returns to find the two rival gangs finalizing a merger. When a pattern of corruption is ... See full summary »
The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family: the matriarch is a sick old woman obsessed by ... See full summary »
Fernando Fernán Gómez,
José María Prada
Lilith is a about a mysterious young woman in an elite sanitarium in New England, who seems to weave a magical spell all around her. A restless, but sincere young man with an equally obscure past is seemingly drawn into her web. As time passes, their relationship deepens and intensifies, and the differences between them begin to blur, leading to a shocking, but oddly logical conclusion. Written by
Rhea Worrell <firstname.lastname@example.org>
According to Kim Hunter: "The tensions on the set contributed to his (Rossen's) death. I don't think I want to talk about it. Since then, Warren has grown so; at that time, he wasn't ready to be a star. He knew it and was scared! In rehearsal, he'd be great. The closer he got to the camera, the more he'd retreat. He'd cut half his lines, which made Warren interesting and the rest of us talky as hell! He gave Jean no help whatsoever. She was damn good in a demanding role. At the wrap party, a group of people threw Warren into a stream". See more »
When the staff and patients are loading up to go on their picnic, one of the cars is a 1959 Ford station wagon. When they arrive at their destination, the car has changed into a 1960 Ford wagon. See more »
You've killed with these hands. Why?
That's the business of a soldier.
You must love your God a lot to kill for him and still go on loving him. I'd never ask that of a lover. I'd only ask his joy.
See more »
One of the great pleasures of watching older films is that, beyond the obvious joys of character and plot, they also offer us a look past the films' action and into the world in which they were made: the fashions of dress, design, and social attitude that prevailed at the time. All of this "background," so taken for granted by the filmmakers in their day, can, when seen across a focal space of time and social change, reveal fascinating elements unguessed-at when the films were made.
So it is with LILITH. Other comments on this film have more than adequately discussed the plots and motivations of the characters; what I found unexpectedly mesmerizing and appalling was its view of the mental institution of the mid-1960s. Warren Beatty's character has no experience in such a setting, but he'd like to "help people," so he's hired on the spot and immediately put in charge of patients who, by definition, aren't responsible for their own actions. The inmates seem to be mostly left to do as they please, whether it be teetering at the edge of a precipitous cliff or wandering off in the woods, easily slipping away from their inattentive keepers.
When Beatty's character begins to be attracted to Lilith, the chief shrink calls him in and asks if this is the case. "No, I don't think so," says Beatty, patently lying through his teeth. "Well," says Dr Big reassuringly, "it's not unheard-of for patients to fall in love with the orderlies, and sometimes, unfortunately, it happens the other way as well." And that's that: with this appalling (to modern-day ears, at any rate) bit of 'advice,' or possibly nudge-wink encouragement, he pats the oafish horndog on the back, tells him he's doing a great job, and sends him off to town on yet another date with Lilith. Whenever Beatty does express concern about anything job-related, the medical staff just interrupts him with "don't worry, you're doing a fine job" and gently shoos him out.
What a different world it was, forty years ago! Mind you, I'm not judging the film by social standards that never occurred to its time; indeed, the things it reveals about the 'care' of mental patients in 1963 are what made it most interesting to me. All the characters are either entertainingly insane or arrestingly clueless idiots, and Lilith herself is a sufficiently complex and compelling character to make this melodrama watchable all on her own.
21 of 25 people found this review helpful.
Was this review helpful to you?