| Olivia de Havilland | ... | Mrs. Cornelia Hilyard | |
| James Caan | ... | Randall Simpson O'Connell | |
| Jennifer Billingsley | ... | Elaine | |
| Rafael Campos | ... | Essie | |
| William Swan | ... | Malcolm Hilyard | |
| Jeff Corey | ... | George L. Brady Jr. aka Repent | |
| Ann Sothern | ... | Sade | |
| rest of cast listed alphabetically: | |||
| Scatman Crothers | ... | Junkyard Proprietor's Assistant (uncredited) | |
| Ron Nyman | ... | Neighbor (uncredited) | |
| Charles Seel | ... | Mr. Paul, Junkyard Proprietor (uncredited) | |
Directed by | |||
| Walter Grauman | |||
Writing credits | ||
| Luther Davis | (written by) | |
Produced by | |||
| Luther Davis | .... | producer | |
Original Music by | |||
| Paul Glass | |||
Cinematography by | |||
| Lee Garmes | (director of photography) | ||
Film Editing by | |||
| Leon Barsha | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Rudolph Sternad | |||
Art Direction by | |||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Joseph Kish | |||
Makeup Department | |||
| Nellie Manley | .... | hair style supervisor (as Nelly Manley) | |
| Wally Westmore | .... | makeup supervisor | |
Second Unit Director or Assistant Director | |||
| Howard P. Alston | .... | assistant director (as Howard Alston) | |
Sound Department | |||
| Frank McWhorter | .... | sound recordist | |
| John Wilkinson | .... | sound recordist | |
| Howard Beals | .... | sound editor (uncredited) | |
| Bob Simpson | .... | sound (uncredited) | |
Visual Effects by | |||
| Paul K. Lerpae | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Howard Alston | .... | assistant editor | |
Music Department | |||
| Paul Glass | .... | conductor | |
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| The Professional: Golgo 13 | The Case of the Scorpion's Tail | Repo Men | Panic Room | A Bay of Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I always remembered this as a disturbing shocker, but having rewatched the film on AMC the other day, I was disappointed by the lame supporting performances and a frustrating lack of logic. The contrivances that occur to get Olivia de Havilland stuck in that elevator are unbelievable. And, although she is graceful and sympathetic, her actions after her house is broken into are full of ninnyisms (why not make a rope out of that long house-frock and slip down to the floor?). The punks (led by James Caan!) are menacing enough, but the actor playing the drunken bum is given way too much screen-time (and his overacting is positively painful--you sigh with relief when he is gone). The film has some thoughtful things to say about apathy in our society, and it has bits and pieces which come through with a terrific charge; but, for the sake of cheap thrills, the movie casts its harsh reality to the winds. ** from ****