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Lady in a Cage (1964)

 -  Drama | Horror | Thriller  -  10 June 1964 (USA)
6.9
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Ratings: 6.9/10 from 1,627 users  
Reviews: 57 user | 32 critic

A woman trapped in a home elevator is terrorized by a group of vicious hoodlums.

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Cast

Complete credited cast:
...
Mrs. Cornelia Hilyard
...
Randall Simpson O'Connell
Jennifer Billingsley ...
Elaine
Rafael Campos ...
Essie
William Swan ...
Malcolm Hilyard
...
George L. Brady Jr. aka Repent
...
Sade
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Storyline

The lady is Mrs. Hilyard, a wealthy poetess who lives in a three-story city mansion and her cage is her elevator, which stops a dozen feet short of the main floor due to an electrical failure on a July 4th weekend. She rings her outside alarm, eventually noticed by a drunken derelict, who breaks into the house, ignores her plight and helps himself to various items and alcohol. He leaves with his loot but returns a while later with a plump prostitute and three teenage hoodlums, who proceed to terrorize Mrs. Hilyard as they wreck her home. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Do not see "Lady in a Cage" alone!

Genres:

Drama | Horror | Thriller

Certificate:

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Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 June 1964 (USA)  »

Also Known As:

Une femme dans une cage  »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Although he had made an appearance in Irma la Douce (1963), this was James Caan's first credited feature film role after getting his start with sporadic television parts. See more »

Goofs

The battery for the alarm is shown as it runs down; but later in the movie the battery works like new. See more »

Quotes

George L. Brady Jr.: Repent! Repent!
See more »

Crazy Credits

The opening Paramount logo is done in vertical stripes to reflect the cage motif. See more »

Connections

Referenced in The Last House on the Left (1972) See more »

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User Reviews

Savage little gem, among the most arrant balls-out shockers of the sixties
26 October 2003 | by (fabulous Las Vega$!) – See all my reviews

The presence of big-name Hollywood stars does not guise the fact that this is one of the most flagrant mainstream movies of the 1960s. Surprisingly professional treatment is applied to the very sordid thrills at hand, most notably in the leads' performances which range from entirely believable to wonderfully unrestrained. Exceptional, also, is the film's score which erupts occasionally into a semi-experimental, wild beat-jazz type of noise(particularly effective in punctuating the cool opening credits, an interesting Saul Bass-inspired merging of film and frozen shots with linear animation). I can only imagine how some viewers must have reacted to this at the time it was released...a grimy urban nightmare with implied taboo sex, doped-up punks, and some highly disconcerting graphic violence and cruelty for the time.

Many of the most cherished leading ladies of Old Hollywood's glory days turned up in very lurid lo-budge vehicles during the 60s, and LIAC would be exemplary of that trend for its inclusion of DeHavilland and Sothern. Both actresses are in top-form here, and their professionalism veils somewhat the meretricious nature of the material(DeHavilland an urbane, mollycoddling mother sidelined by an injury who becomes trapped between floors in her home elevator, and Sothern a wearied but soft-hearted cyprian/burglar taking sheepish advantage of DeHavilland's perdition). Making a memorably heady debut is James Caan(channeling Brando), in his joyously immoderate portrayal of a sociopathic and frighteningly cunning young criminal who strikes terror into the heart of helpless DeHavilland. As he gradually comes to understand this woman's patrician, maternal nature, a very personal and pitiable hostility ignites within him. She is the embodiment of all the love and nurture he's been denied throughout his tragic life, and this becomes his chance to settle the score.

Classic must-see stuff for fans of singular 1960s B films within a vague realm which might include WHO KILLED TEDDY BEAR, WHAT EVER HAPPENED TO BABY JANE, THE NAKED KISS, and BUNNY LAKE IS MISSING.

8/10


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