Messenger asks a friend to check into a list of names before leaving on a trip. When his plane is blown out of the sky, the matter becomes more serious. As his friend checks into the list, ... See full summary »
George C. Scott
An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Jill St. John,
San Francisco Police Lieutenant Virgil Tibbs is called in to investigate when a liberal street preacher and political candidate is accused of murdering a prostitute. Tibbs is also battling ... See full summary »
Supposedly based on the short story by Ernest Hemingway. In this film noir, two hitmen want to find out why their latest victim (a race car driver!) "just stood there and took it" when they came to shoot him. Ronald Reagan plays a rich, double-crossing bad guy. A young Angie Dickinson (looking just like Ellen Barkin) plays the femme fatale. Written by
Mark Logan <firstname.lastname@example.org>
A bunch of well-known 1960s actors dot this film, with lesser-known but familiar faces also in here. He's not in the lead, but the most famous, of course, is former U.S. President Ronald Reagan. The stars of the film are the always- intense Lee Marvin, Clu Culager, John Cassevetes, Angie Dickinson, Claude Aiken and Norman Fell. I would like to have witnessed rehearsals for this film!
The story starts off very strong, then gets stupid with an annoying romance between Cassevates and Dickinson (complete with affected dialog) and then finishes very strong in the last 35 minutes. The ending is excellent. I guess you could label this a '60s version of film noir, especially since it is something of a re-make of the 1946 noir of the same name.
It seemed odd to see Reagan as the villain and makes the film less credible because it doesn't fit his image. Marvin, however, always is a convincing villain. What a great voice he had, too! In all, despite the cast and the good director (Don Siegel), this film never had the impact it could have had n audiences.
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