Policemen Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, the two NYC detectives are given a weekend to bring Benesch to justice. While Bonaro and Madigan ... See full summary »
In the turn-of-the century Texas town of Cottownwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in ... See full summary »
An American army officer, troubled by reports of brutality, volunteers to investigate conditions inside North Korean POW camps. He parachutes behind enemy lines and infiltrates a group of ... See full summary »
A remake of The Killers (1946) which itself was inspired by the Ernest Hemingway short story. Told instead from the hitmen's point of view, the killers decide to find out why their latest victim (a race car driver) "just stood there and took it" when they came to shoot him. They also figure on collecting more money. Ronald Reagan plays a rich, double-crossing financier. Lovely Angie Dickinson plays the femme fatale. Written by
Mark Logan <firstname.lastname@example.org>
While the gang is going over the heist plot in the garage, Jack stands up and slaps Sheila with his right hand across her left cheek. When she recovers from nearly falling over, she holds her right cheek. In another shot soon after, she is nursing her bruised left cheek. See more »
Oh, Charlie... Charlie... you're always on top, aren't you Charlie?
I'm still alive.
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A bunch of well-known 1960s actors dot this film, with lesser-known but familiar faces also in here. He's not in the lead, but the most famous, of course, is former U.S. President Ronald Reagan. The stars of the film are the always- intense Lee Marvin, Clu Culager, John Cassevetes, Angie Dickinson, Claude Aiken and Norman Fell. I would like to have witnessed rehearsals for this film!
The story starts off very strong, then gets stupid with an annoying romance between Cassevates and Dickinson (complete with affected dialog) and then finishes very strong in the last 35 minutes. The ending is excellent. I guess you could label this a '60s version of film noir, especially since it is something of a re-make of the 1946 noir of the same name.
It seemed odd to see Reagan as the villain and makes the film less credible because it doesn't fit his image. Marvin, however, always is a convincing villain. What a great voice he had, too! In all, despite the cast and the good director (Don Siegel), this film never had the impact it could have had n audiences.
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