Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
A young man and woman's honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their ... See full summary »
Luis Aceves Castañeda
The wife of a physician who diligently cares for the poor, grows weary of their dull South France factory town and pressures her older husband to move to glorious Nice, on the Mediterranean... See full summary »
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin... See full summary »
Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see ... See full summary »
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and women) and her father is a shoe-fetishist. Joseph, the farm-labourer is a fascist and sexually attracted to Celestine. Celestine settles herself and talks to the neighbour, an ex-officer, who likes damaging his neighbour's things. After the death of the old man, she quits her job, but because of the rape and murder of a child 'Little Claire' she decides to stay, believing that Joseph is the murderer. To get his confession she sleeps with him and promises to marry him. In spite of her engagement she fakes evidence to implicate him in the murder. He is arrested, but is released because the evidence is inconclusive. She marries the ex-officer and takes on a housewife role similar to that of Madame Monteil Written by
Stephan Eichenberg <email@example.com>
The demonstrating fascists shout "Vive Chiappe", a homage to the chief of the Parisian police who prohibited showing director Luis Buñuel's earlier film L'Age d'Or (1930) after fascists destroyed the cinema where it was being shown. See more »
The best thing about Bunuel is his ruthless lucidity, and it's thoroughly on display here. All his films start from the conviction that no one is to be pitied - or even if they are, Bunuel, like life, will not oblige, and neither the audience nor the person concerned should expect it of them. Which is not to say that all abuses are right - the film postulates that between fascist and violent criminal there is little difference, and then, true to lucid form, makes it clear at the end that evil does *not* automatically bring about its own destruction; a fact not to be lamented but fought over. Bunuel said he thought it was his most erotic film. It's not an unreasonable claim. There's not a single sex scene. Go figure.
17 of 22 people found this review helpful.
Was this review helpful to you?