Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
A young man and woman's honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their ... See full summary »
Luis Aceves Castañeda
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
A surrealist tale of a man and a woman passionately in love with one another, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and women) and her father is a shoe-fetishist. Joseph, the farm-labourer is a fascist and sexually attracted to Celestine. Celestine settles herself and talks to the neighbour, an ex-officer, who likes damaging his neighbour's things. After the death of the old man, she quits her job, but because of the rape and murder of a child 'Little Claire' she decides to stay, believing that Joseph is the murderer. To get his confession she sleeps with him and promises to marry him. In spite of her engagement she fakes evidence to implicate him in the murder. He is arrested, but is released because the evidence is inconclusive. She marries the ex-officer and takes on a housewife role similar to that of Madame Monteil Written by
Stephan Eichenberg <firstname.lastname@example.org>
The demonstrating fascists shout "Vive Chiappe", a homage to the chief of the Parisian police who prohibited showing director Luis Buñuel's earlier film L'Age d'Or (1930) after fascists destroyed the cinema where it was being shown. See more »
Finally a Bunuel film I can make sense of! Oh, nevermind.
This is the most straight-forward film I've seen by the surrealist master Bunuel, and despite its cryptic turn in the final moments, is funny, chilling, and a bit nasty. The story follows an urbane chambermaid from Paris who comes to work at the country estate of a repressed bourgeosie family. She weathers passes from every man in sight and deflects them, but for morally ambiguous reasons. Moral ambiguity is rampant, as it is so often in Bunuel's films, and spread liberally amongst all classes. It's subtly a film about selling out, except that nobody seemed to have any principles to begin with. Good fun. Now tell me what the ending was all about.
20 of 30 people found this review helpful.
Was this review helpful to you?