Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his ...
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A writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible. He attempts to function again by ... See full summary »
Martin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and ... See full summary »
In the late Spring of 1970, nationwide protests against the war in Vietnam focused in the Wall Street area of New York City and ultimately in a major anti-war demonstration in Washington, ... See full summary »
Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his success and happiness is due to the support of his "friend" Joe. Unfortunately the only one who blindly believes Joe is anything close to a friend is Murray, because it's obvious to everyone that Joe back-stabs him at every chance and is sleeping with his wife. Written by
I attend NYU, and was lucky to be shown a print of this short. The movie is entirely innovative, and does have some of Scorsese's trademark themes, such as crime and, of course, his mother. The story centers around a man and all the horrible things his friend Murrary does to him.
This movie is, however, uncharacteristically funny for a Scorsese film. It is very similar to an early Woody Allen movie, such as Bananas, in that regard. It also contains some nods to avant garde cinema, such as Goddard or Fellini, especially in the last scene.
All in all, a fabulous little movie that shows inclinations of things to come from Scorsese~
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