Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his ... See full summary »
A feature-length documentary starring Fran Lebowitz, a writer known for her unique take on modern life. The film weaves together extemporaneous monologues with archival footage and the ... See full summary »
William F. Buckley,
Despite its nearly four-hour running time, this is a uniquely personal look at movies from one of the late 20th century's great directors and film historians. The film consists of head & ... See full summary »
Michael Henry Wilson
Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his success and happiness is due to the support of his "friend" Joe. Unfortunately the only one who blindly believes Joe is anything close to a friend is Murray, because it's obvious to everyone that Joe back-stabs him at every chance and is sleeping with his wife. Written by
This cute, inventive student film is Scorsese's second time in the director's chair, and this film is the beginning of his fascination with crime and double-crosses. Like with his brilliant debut, What's A Nice Girl Like You Doing In A Place Like This?, his techniques in generally unfolding the story and his clever cinematographic eye...you know what? I praise too much. I think I'm boring when I praise. I praise Martin Scorsese all the time. Everything he makes turns to gold in my eyes because I think he makes movies the precise way I think they should be made. I love the guy, that's all. There's nothing specific to say pertaining to why I like even his early student short films such as this one. I just think he's the man. If you think he is the man, I would check this one out just to say you saw it and to see the foundations of his ingenious later work.
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