The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ... See full summary »
Olivia de Havilland,
Aged and wealthy Charlotte Hollis has lived alone and as a recluse in the crumbling family plantation mansion in Hollisport, Louisiana since her father Sam Hollis' death thirty-six years ago. The only people who regularly see her are her hard-as-nails but seemingly loyal housekeeper Velma Crowther, and her longtime friend and physician, Dr. Drew Bayliss. She has lived there the better part of her life except for a short stint in London thirty-seven years ago following the vicious murder of her married lover, John Mayhew, at the plantation's summer house while Sam was hosting one of his legendary grand balls in the mansion. That evening, she and John were going to run off together, that is before he was bludgeoned to death, his right hand and head which were never found. No one was ever convicted for his murder, but most people believe Charlotte did it after John changed his mind about running off with her. Not having seen her in years, they also now believe Charlotte is a crazy old ... Written by
Because there was no time to redo the costumes for Miriam, many of her clothes come from Olivia de Havilland's personal wardrobe. See more »
In the opening sequence, the quite obviously dubbed audio by Bette Davis doesn't match the younger actresses movements on screen: the dialogue is heard as "No, papa" while the actress is seen to be saying only "No." See more »
By far the best work of Bette Davis and Agnes Moorehead ever!
Being your average "on-the-go" modern teenager, you can expect that I never have time to waste on a bad movie, with school, homework, and the other neurosis of life in the new millennium. However, this is NOT a bad movie! In fact, I'd venture to say that this is the very best movie I've ever seen!!! I've got a sort of yen for the older films, especially when they involve bizarre love triangles and great musical scores, but this one tops them all! Bette Davis' and Agnes Moorehead's acting abilities are superb, and this is one of the scariest films produced, utilizing twisted, distorting camera sequences and a genuinely frightening plot progression, complete with delicious twists, turns, zig-zags, and murder sequences that'll send you plummeting off the edge of your seat!!!! A classic "whodunit" that'll thrill even the most straight-laced film critic (my six-year-old sister loves it!) So rush out now (Or stay at your computer), and get "Hush...Hush, Sweet Charlotte"! You WON'T regret it!
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