The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
Charlotte Hollis, an aging recluse deluded into a state of dementia by horrible memories and hallucinations, lives in a secluded house where, thirty-seven years before, John Mayhew her married lover, was beheaded and mutilated by an unknown assailant. Written by
On Friday, July 31, 1964, while resting in her Fox dressing room, Joan Crawford suffered a relapse, and at 7:00 p.m. she was taken, by ambulance, back to Cedars Sinai Hospital where she remained for the next 30 days. During Crawford's second or third week in the hospital, she called her friend, director Vincent Sherman, and asked him to visit her because she was dying for some company. When Sherman got to her room, she jumped out of bed, locked the door and told him, "I'm not sick. I just couldn't stand working another minute with that Bette Davis." See more »
As Miriam arrives, the scene from inside the cab clearly shows the driver turning right to go around the circular driveway. A second later, shot from the house, the cab is still going straight before reaching the point where it has to turn. See more »
By far the best work of Bette Davis and Agnes Moorehead ever!
Being your average "on-the-go" modern teenager, you can expect that I never have time to waste on a bad movie, with school, homework, and the other neurosis of life in the new millennium. However, this is NOT a bad movie! In fact, I'd venture to say that this is the very best movie I've ever seen!!! I've got a sort of yen for the older films, especially when they involve bizarre love triangles and great musical scores, but this one tops them all! Bette Davis' and Agnes Moorehead's acting abilities are superb, and this is one of the scariest films produced, utilizing twisted, distorting camera sequences and a genuinely frightening plot progression, complete with delicious twists, turns, zig-zags, and murder sequences that'll send you plummeting off the edge of your seat!!!! A classic "whodunit" that'll thrill even the most straight-laced film critic (my six-year-old sister loves it!) So rush out now (Or stay at your computer), and get "Hush...Hush, Sweet Charlotte"! You WON'T regret it!
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