The working-class twin sister of a callous, wealthy woman impulsively murders her out of revenge and assumes her identity. But impersonating her dead twin is more complicated and risky than she anticipated.
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
Aged and wealthy Charlotte Hollis has lived alone and as a recluse in the crumbling family plantation mansion in Hollisport, Louisiana since her father Sam Hollis' death thirty-six years ago. The only people who regularly see her are her hard-as-nails but seemingly loyal housekeeper Velma Crowther, and her longtime friend and physician, Dr. Drew Bayliss. She has lived there the better part of her life except for a short stint in London thirty-seven years ago following the vicious murder of her married lover, John Mayhew, at the plantation's summer house while Sam was hosting one of his legendary grand balls in the mansion. That evening, she and John were going to run off together, that is before he was bludgeoned to death, his right hand and head which were never found. No one was ever convicted for his murder, but most people believe Charlotte did it after John changed his mind about running off with her. Not having seen her in years, they also now believe Charlotte is a crazy old ... Written by
On Wednesday, July 29, 1964, Joan Crawford worked until 1:30 p.m. Crawford then informed Robert Aldrich that she had overtaxed herself the previous day and would have to return to a less strenuous shooting schedule. Aldrich informed her that he wanted her examined by the company's insurance doctor. Resenting his suspicions and harassment, Joan returned to her dressing room and made it clear she would no longer talk directly to the director. "The only way they communicated was through me," said Crawford's makeup man, Monty Westmore. "Joan would tell me something, then I'd go and tell Aldrich. He would give me a reply to take back to Joan. It was an unpleasant, awkward position for me to be in." See more »
When Charlotte becomes irate and chases the packers from the house, the camera follows them fleeing from room to room. For a split second, a shadow of the camera or dolly is visible on the near wall as it moves from right to left. See more »
So you're finally showin' the right side of your face. Well, I seen it all along. That's some kinda drug you been givin' her. Isn't it? It's what's been making her act like she's been. Well, Ah'm goin' into town and Ah'm tellin them what you been up to.
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Following soon after "Whatever Happened to Baby Jane", I originally thought that "Hush Hush Sweet Charlotte" would be a letdown - far from it, in my opinion, much better due a great deal to the cast of great actors and actresses. Bette Davis was in her element in this role of Charlotte, while Olivia de Havilland in the role originally planned for Joan Crawford was superb, and was an inspired piece of accidental casting! Agnes Moorehead deserved her Academy nomination, while Mary Astor was a most welcome sight. Joseph Cotten normally seems very wooden in his parts, but does an excellent job here. The Black and White photography adds a great deal to the mood, and is far better than Colour would have been. The ending was very well planned and carried out, and you feel after the film ends there is something else that happened that the viewer never saw. Get it on Video - it is well worth the experience.
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