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Hush...Hush, Sweet Charlotte (1964)

7.7
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Ratings: 7.7/10 from 6,919 users  
Reviews: 115 user | 39 critic

An aging, reclusive southern belle, plagued by a horrifying family secret, descends into madness after the arrival of a lost relative.

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(screenplay), (screenplay), 1 more credit »
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Title: Hush...Hush, Sweet Charlotte (1964)

Hush...Hush, Sweet Charlotte (1964) on IMDb 7.7/10

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Nominated for 7 Oscars. Another 5 wins. See more awards »

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Cast

Cast overview, first billed only:
...
Charlotte
...
Miriam
...
Drew
...
...
Harry
...
Big Sam
...
Jewel
...
Sheriff
...
Paul Marchand
...
John Mayhew
Frank Ferguson ...
Editor
...
Foreman
Dave Willock ...
Taxi Driver
Michel Petit ...
Gang Leader (as Michael Petit)
John Megna ...
New Boy
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Storyline

Charlotte Hollis, an aging recluse deluded into a state of dementia by horrible memories and hallucinations, lives in a secluded house where, thirty-seven years before, John Mayhew her married lover, was beheaded and mutilated by an unknown assailant. Written by filmfactsman

Plot Summary | Add Synopsis

Plot Keywords:

murder | mansion | doctor | plantation | guilt | See more »

Taglines:

The years will soon erase a lover's lies...the blood on his face! See more »

Genres:

Mystery | Thriller

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 December 1964 (USA)  »

Also Known As:

Hush...Hush, Sweet Charlotte  »

Box Office

Budget:

$2,235,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The painting of young Charlotte is of Bette Davis in her role as Julie in Jezebel (1938). See more »

Goofs

As household staffers pack up her belongings, a haggard Charlotte wanders through the house wearing no make-up. But the minute she sees an insurance investigator in the yard, she's suddenly wearing lipstick, eye makeup and looking years younger. See more »

Quotes

Miriam: What is it that you don't believe Drew? That I'm here, or that I look the way I do?
See more »

Connections

Referenced in Joan Crawford: The Ultimate Movie Star (2002) See more »

Soundtracks

When the Saints Go Marching In
(uncredited)
Traditional
Played by the band at the party
See more »

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User Reviews

 
Hack... Hack, Sweet Hasbeen
7 January 2002 | by (Houston, Texas) – See all my reviews

Faded Southern belle Charlotte Hollis lives in depression and loneliness in her family's Louisiana plantation house, still distraught over the axe murder of her married lover 40 years earlier, a bloody killing that she was accused of doing. When the state condemns her home to put in a new highway, she defiantly refuses to leave, with a shotgun. When her long-lost Yankee cousin Miriam arrives to help, heads start to roll, literally.

Although not a sequel to Whatever Happened to Baby Jane, it was conceived as a vehicle to reteam Bette Davis and Joan Crawford. And the story is similar in that the parts were written as Crazy Bette and Phony Joan (as Davis put it). Too bad Davis drove Crawford off the picture. (For details read "Bette and Joan: The Divine Feud" by Shaun Considine). It would've been great to see them do battle again, this time with Crawford having the upper hand.

Still, I enjoy "Charlotte" more than "Jane." For one thing, it has the delightfully grotesque Agnes Moorehead acting like Quasimodo as Charlotte's screwy ally/servant Velma. She steals every scene she's in (and an Oscar nomination), and I'm surprised Davis allowed it.

It's also nice to see sweet-faced Olivia DeHavilland cast against type as Miriam. She handles herself quite well, and god knows it couldn't have been easy for her. When Crawford heard that she was out and DeHavilland was in, she ranted against Davis and director Robert Aldrich in the press, but cooed, "I'm happy for Olivia, she needs a good movie role." Ouch. And after the picture was completed, Queen Bette said Olivia "was good at keeping the audience's attention while I'm off screen." With friends like her....

By the way, there is a long shot of Crawford still in the movie. Look for it when "Miriam" gets out of the taxi after arriving at the plantation house. That's actually the back of Joan's head, not Olivia's.


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