The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can... See full summary »
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ... See full summary »
Olivia de Havilland,
Charlotte Hollis, an aging recluse deluded into a state of dementia by horrible memories and hallucinations, lives in a secluded house where, thirty-seven years before, John Mayhew her married lover, was beheaded and mutilated by an unknown assailant. Written by
"Hush...Hush, Sweet Charlotte" is after all is said and done really a rather sweetly sad movie. The lurid opening with it's bloody murder sequence is only a set-up and a tease: nothing remotely like it occurs for the remainder of the film. (By today's "Scream" standards, of course, this sequence is tepid.) The value of watching this movie, as many (maybe most) people will comment, is the dialog and the performances. Two of the supporting character performances are remarkable, for two entirely different reasons. Agnes Morehead was roundly praised in 1964 for her performance in this movie, and even got an Academy Award nomination. It was, however, a completely misguided conceptualization that comes across as a racist "Amos and Andy" burlesque sketch. The other performance is by Mary Astor as Jewel Mayhew. This was Mary Astor's last performance in a movie, and in her big scene with the actor Cecil Kellaway she is Oscar-worthy. With over-the-top performances in no short supply in this picture, it is understandable that Astor's marvel of delicacy and restraint hardly ever gets a mention.
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