The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
A piano teacher believes that her fiancé, a cellist, was killed on the battlefield. When he returns alive, they marry, but are menaced and threatened by a wealthy, egotistical composer she started dating on the rebound.
Charlotte Hollis, an aging recluse deluded into a state of dementia by horrible memories and hallucinations, lives in a secluded house where, thirty-seven years before, John Mayhew her married lover, was beheaded and mutilated by an unknown assailant. Written by
Until his death in April 1959, Joan Crawford had been married to Alfred Steele, the president of Pepsi-Cola. After his death she was elected to fill his spot on the Pepsi board of directors. While making this film Crawford had Pepsi-Cola vending machines installed on the set and during rehearsals, costume tests, filming in Baton Rouge and on Fox's soundstages she would sometimes have a bottle of Pepsi by her side or in her hand. In an effort to spite her co-star, Bette Davis had Coca-Cola vending machines installed as well and later when Crawford was replaced she also had a Cola-Cola truck barrel through town just before Miriam sees Jewel Mayhew on the street. See more »
Disturbed by a noise in the middle of the night, Miriam gets out of bed and puts a revolver in the pocket of her negligee. Shortly after, a wind storm whirls the gown around her head, something that could never occur if there was actually something as heavy as a gun in her pocket. See more »
Why wouldn't I tell him that his pure, darling little girl was having a dirty little affair with a married man?
You're a vile, sorry little bitch!
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By far the best work of Bette Davis and Agnes Moorehead ever!
Being your average "on-the-go" modern teenager, you can expect that I never have time to waste on a bad movie, with school, homework, and the other neurosis of life in the new millennium. However, this is NOT a bad movie! In fact, I'd venture to say that this is the very best movie I've ever seen!!! I've got a sort of yen for the older films, especially when they involve bizarre love triangles and great musical scores, but this one tops them all! Bette Davis' and Agnes Moorehead's acting abilities are superb, and this is one of the scariest films produced, utilizing twisted, distorting camera sequences and a genuinely frightening plot progression, complete with delicious twists, turns, zig-zags, and murder sequences that'll send you plummeting off the edge of your seat!!!! A classic "whodunit" that'll thrill even the most straight-laced film critic (my six-year-old sister loves it!) So rush out now (Or stay at your computer), and get "Hush...Hush, Sweet Charlotte"! You WON'T regret it!
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