The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ... See full summary »
Olivia de Havilland,
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Charlotte Hollis, an aging recluse deluded into a state of dementia by horrible memories and hallucinations, lives in a secluded house where, thirty-seven years before, John Mayhew her married lover, was beheaded and mutilated by an unknown assailant. Written by
On Wednesday, July 29, 1964, Joan Crawford worked until 1:30 p.m. Crawford then informed Robert Aldrich that she had overtaxed herself the previous day and would have to return to a less strenuous shooting schedule. Aldrich informed her that he wanted her examined by the company's insurance doctor. Resenting his suspicions and harassment, Joan returned to her dressing room and made it clear she would no longer talk directly to the director. "The only way they communicated was through me," said Crawford's makeup man, Monty Westmore. "Joan would tell me something, then I'd go and tell Aldrich. He would give me a reply to take back to Joan. It was an unpleasant, awkward position for me to be in." See more »
As household staffers pack up her belongings, a haggard Charlotte wanders through the house wearing no make-up. But the minute she sees an insurance investigator in the yard, she's suddenly wearing lipstick, eye makeup and looking years younger. See more »
They don't make 'em like this anymore, and, sad to say, we Americans don't have as many actors and actresses of this caliber anymore today, either. Nevertheless, despite its spotty campiness, unintentional funny moments, borderline flashback sequences, storyline holes and generally predictable plot, this is a spectacular film, especially considering the era in which it was made.
All the performances are strong, intense and excellent. Perhaps the best ones, however, are given by Olivia de Havilland and Agnes Moorehead, who have been more or less associated or stereotyped in other venues. Yes, this is the same Agnes Moorehead who is probably best known as Endora from "Bewitched," but it only serves as testimony that she was one actress who could steal thunder with any role.
Overall, the story is a good one, and realistic to the location given. The story would absolutely not work, for example, in a large urban area. The film is great fun, and knowing how the whole story plays out is an excellent reason to watch it again, as you know what the characters know. Sit back and enjoy the brillant acting on all counts!
11 of 17 people found this review helpful.
Was this review helpful to you?