To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
During the Korean War, Italian nurse Virna Lisi falls in love with two American fliers, Tony Curtis and George C. Scott. Lisi marries Curtis after he convinces her that Scott has been ... See full summary »
Paul Dupré meurt soudainement suite à une injection faite par son infirmière, Gina Bianchi. Gina a été la maîtresse de Dupré et est accusée de l'avoir tué quand on découvre un testament qui... See full summary »
2 quirky Manhattanites crash into each other cute at an ophthalmologist's office. Peter is a grouchy cartoonist/author whose vision is failing, divorced mother Theresa is also reluctant to ... See full summary »
A citizen of the Veneto in her sixties. Three stories of "love in the country": a pseudo Don Giovanni confesses his impotence to the doctor in confidence but he becomes betrayed by him - ... See full summary »
Stanley Ford leads an idyllic bachelor life. He is a nationally syndicated cartoonist whose Bash Brannigan series provides him with a luxury townhouse and a full-time valet, Charles. When he wakes up the morning after the night before - he had attended a friend's stag party - he finds that he is married to the very beautiful woman who popped out of the cake - and who doesn't speak a word of English. Despite his initial protestations, he comes to like married life and even changes his cartoon character from a super spy to a somewhat harried husband. When after several months he decides to kill off Bash's wife in the cartoon, his wife misinterprets his intentions and disappears. Which leads the police to charge him with murder. Written by
During a taping of "The Tonight Show", Jack Lemmon told this story. Prior to filming How to Murder Your Wife (1965), co-star Virna Lisi's husband made her promise that she would not be talked into doing a nude scene in her first American film. She assured him that she would not, signed the contract and traveled to Hollywood. While filming the 'revelation' scene, where Lemmon awakes to discover in horror that he got married at the bachelor party, Virna had to disrobe and lay in the bed nude but discreetly covered with a bed sheet. However, it was this day that her husband, an architect, arrived unannounced at the set to surprise his wife. When he walked into the scene, he became very upset. He focused his anger toward her co-star. Lemmon, realizing that discretion was the better part of valor, exited the set at full run with Virna's husband in tow. Running past several sound stages on the MGM lot, he quickly found a garbage dumpster, jumped in and closed the cover. He waited there until security officers found him. See more »
In the opening scenes, the same woman in a red skirt and black top can be seen walking past Stanley's house (left to right) twice - firstly when Charles is collecting the newspaper and then when Charles and Stanley are leaving in the car. See more »
I am speaking to you now not as your lawyer but as your friend. Stan, you are a grown man and grown men simply can't, repeat cannot, go around spreading terror on the New York streets at the height of the noon hour accompanied -will you stop just a minute, Stan?- by naked women.
She wasn't naked. She had a diamond in her navel.
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At first, it only says How to Your Wife on the screen, in white letters. Then, the word Murder shows up in red letters in the space between the two rows of text. See more »
Sure, it has a weak third act which pounds a particularly misogynistic message. And the end is so formulaic it hurts. But up until then, it classifies as among the best of comedies.
I have a particular admiration for it as what I think is the first example of a cartoonist whose drawings interweave with his life. Its a clever idea at root but handled with extra sophistication here.
The setup is that our hero (Jack Lemmon) is a cartoonist who draws himself in his strip as a sort of James Bond character. But before he draws each strip, he actually acts it out as movies that we see in the movie within the movie. (How he hires the actors and arranges the locations is a detail left unexplained.)
Thus, strip and life have a relationship within the story proper. Much is made of conflating the movie, the life depicted in the movie, the strip, and the movies within.
He ends up with an unwanted (well, sort of) wife and acts out her murder. Since she left in a huff, he has no defense when his readership (the whole country it seems) accuses him of real murder.
The pinnacle of this confabulation comes when his butler comes to the realization that the murder has actually been real with the enactment an alibi. Things go downhill from there. But until that point, this is sublime, a comic "Draughtsman's Contract."
Ted's Evaluation -- 3 of 3: Worth watching.
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