To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
George and Gwen Kellerman live in the small, quiet town of Twin Oaks, Ohio with their two young children and pet dog. George has a strong sense of what is right and wrong, especially as it ... See full summary »
After eight years of marriage, Robert and Nina divorce. He takes up with his womanising Navy buddy Charlie Nelson while she looks to her interfering mother for guidance. Both start dating ... See full summary »
Lieutenant Rip Crandall is hoodwinked into taking command of the "Wackiest Ship in the Navy" - a real garbage scow with a crew of misfits who don't know a jib from a jigger. What none of ... See full summary »
Stanley Ford leads an idyllic bachelor life. He is a nationally syndicated cartoonist whose Bash Brannigan series provides him with a luxury townhouse and a full-time valet, Charles. When he wakes up the morning after the night before - he had attended a friend's stag party - he finds that he is married to the very beautiful woman who popped out of the cake - and who doesn't speak a word of English. Despite his initial protestations, he comes to like married life and even changes his cartoon character from a super spy to a somewhat harried husband. When after several months he decides to kill off Bash's wife in the cartoon, his wife misinterprets his intentions and disappears. Which leads the police to charge him with murder. Written by
There are at least two art pieces in Ford's apartment that are drawn/painted in the style of "Big Eyes" artist Margaret Keane, who was extremely popular at the time. (It's not known whether these are authentic Keanes used for the movie or just look-alikes from the production department.) See more »
In the opening scenes, the same woman in a red skirt and black top can be seen walking past Stanley's house (left to right) twice - firstly when Charles is collecting the newspaper and then when Charles and Stanley are leaving in the car. See more »
[looks at Harold Lampson, who gives him a wink and a grin; turns back to jury]
Gentlemen, I address you not as judge and jury, but as a fellow American male. The crime that you have just seen Harold Lampson commit in his imagination I have been accused of committing in reality. Too long has the American man allowed himself to be bullied, coddled, and mothered, and tyrannized, and in general meant to feel like a feeble-minded idiot by the female of the species. Do you realize the ...
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At first, it only says How to Your Wife on the screen, in white letters. Then, the word Murder shows up in red letters in the space between the two rows of text. See more »
Sure, it has a weak third act which pounds a particularly misogynistic message. And the end is so formulaic it hurts. But up until then, it classifies as among the best of comedies.
I have a particular admiration for it as what I think is the first example of a cartoonist whose drawings interweave with his life. Its a clever idea at root but handled with extra sophistication here.
The setup is that our hero (Jack Lemmon) is a cartoonist who draws himself in his strip as a sort of James Bond character. But before he draws each strip, he actually acts it out as movies that we see in the movie within the movie. (How he hires the actors and arranges the locations is a detail left unexplained.)
Thus, strip and life have a relationship within the story proper. Much is made of conflating the movie, the life depicted in the movie, the strip, and the movies within.
He ends up with an unwanted (well, sort of) wife and acts out her murder. Since she left in a huff, he has no defense when his readership (the whole country it seems) accuses him of real murder.
The pinnacle of this confabulation comes when his butler comes to the realization that the murder has actually been real with the enactment an alibi. Things go downhill from there. But until that point, this is sublime, a comic "Draughtsman's Contract."
Ted's Evaluation -- 3 of 3: Worth watching.
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