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A House Is Not a Home (1964)

 |  Drama  |  November 1964 (Austria)
6.6
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Ratings: 6.6/10 from 61 users  
Reviews: 6 user | 1 critic

Based on Polly Adler's best-selling autobiography about her life in the Roaring Twenties as a legendary Madam. The movie follows Polly's life from an immigrant worker to becoming friend and... See full summary »

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Title: A House Is Not a Home (1964)

A House Is Not a Home (1964) on IMDb 6.6/10

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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
Polly Adler
...
Frank Costigan
...
Ralph Taeger ...
Casey Booth
...
Sidonia
...
Harrigan
Mickey Shaughnessy ...
Police Sergeant Riordan
...
Madge
Meri Welles ...
Lorraine
Jesse White ...
Rafferty
Connie Gilchrist ...
Hattie Miller
Constance Dane ...
Allyson Ames ...
Gwen
Lewis Charles ...
Angelo
Steve Peck ...
Vince
Edit

Storyline

Based on Polly Adler's best-selling autobiography about her life in the Roaring Twenties as a legendary Madam. The movie follows Polly's life from an immigrant worker to becoming friend and confidante of underworld bigwigs, social leaders, businessmen, politicians, writers and artists. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

No One Knew Her Business Better Than Polly Adler! See more »

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

November 1964 (Austria)  »

Also Known As:

La casa de Madame  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Raquel Welch's film debut. See more »

Goofs

Although the film takes place between the 1910s and the 1930s, all of the costumes are hairstyles are contemporary to 1964. See more »

Soundtracks

House is Not A Home
(title song)
By Burt Bacharach & Hal David
Sung by Brook Benton
Arranged & Conducted by Alan Lorber
See more »

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User Reviews

 
Trashy, misogynistic Grade B filming of "Madam" Polly Adler's memoirs

This is a pretty bad film. The acting and direction are non-existent. Robert Taylor seems terminally depressed that he has to appear in such drivel. Cameos by Broderick Crawford and Caesar Romero are forgettable. Shelley Winters would seem perfect casting for this saga of a NY "Madam" in the twenties and thirties and she does try to breathe life into it but all around her is SOOOO BADDDD, she soon succumbs. Edith Head earned one of her 35 Oscar noms for the Costume Design, but though the film is set in the 1920s, there is no attempt to recreate period costumes. What the ladies wear looks awfully 1964. Go figure. The design taken on its own terms is varied and attractive so I won't quibble. The performance by Meri Wells as Lorraine is excruciatingly bad. About all one has to console oneself with is Winters doing her damndest to take it all seriously and hunk Ralph Taeger (who appeared in only half a dozen films). The film is terribly misogynistic, treats the women as helpless victims of man's lust and the men are all creeps. Don't go out of your way to see this one.


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