A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
The Beatles--the world's most famous rock and roll band--travel from their home town of Liverpool to London to perform in a television broadcast. Along the way they must rescue Paul's unconventional grandfather from various misadventures and drummer Ringo goes missing just before the crucial concert. Written by
Jim Beaver <email@example.com>
The song "I'll Cry Instead" was written for the film, but later removed. It still appeared on the soundtrack album, and the US single had "From the United Artists Picture, 'A Hard Day's Night'" on the label. In 1982 the movie was re-released with an opening prologue that used "I'll Cry Instead" accompanied by an animated collage of photos of The Beatles (similar to, but more complex than, the photos that play under the end credits). Richard Lester was reportedly furious over the prologue sequence, and publicly stated that it was added without his involvement. All home video releases of the film in the 1980s and 1990s include the prologue, including the first DVD release in 1997. In 2000 the film was remastered and re-released on DVD without the prologue, and all editions since then have omitted it. See more »
During the beginning of the opera scene, the male opera singer's lip movements do not match the singing. See more »
I was in my mid-thirties when the Beatles came to America, and appeared at Shea Stadium and (famously) on the Ed Sullivan. I saw their success, with the screaming girls, as just another teen-age phenomenon. I must have read in some column that this film was interesting for its direction and photography. That was true. What I did not expect was that I would be caught up by the Beatles themselves, both as personalities and as musicians. Those who comment adversely on their lack of acting ability are way off base, because neither they nor the director were looking for dramatic skill; only for a degree of naturalness, which was achieved. Those who criticize the technical aspects are not well-acquainted with new developments in film technique especially in France; for instance, the jump shot. Those who criticize lack of plot must be interested only in straight narrative. I suggest that all the previously mentioned critics see the documentary materials on the making of the film, particularly those contained in the DVD set. They will see, for better or worse, that the creators and performers achieved what they wanted, allowing room for the unexpected. For forty years now I have been an admirer, own all their recordings, etc.; and taught this movie in my history of film class regularly. Don't believe the nay-sayers; see for yourself.
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