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In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of ... See full summary »
Three schoolgirls are infatuated with a yakuza, Katsuta, of the Izu Clan. They meet another yakuza, `Diamond` Fuyu, of the rival Yoshida clan. As he gets a tattoo, two of the girls become ... See full summary »
Seijun Suzuki's DETECTIVE BUREAU 2-3: GO TO HELL BASTARDS follows police detective Tajima (Shishido), who, tasked with tracking down stolen firearms, turns an underworld grudge into a ... See full summary »
A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.
After World War II, some Tokyo prostitutes band together with a strict code: no pimps, attack any street walker who comes into our territory, defend the abandoned building we call home, and... See full summary »
Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who... See full summary »
Rainer Werner Fassbinder
Hanpei is an orphan mistreated by other vassals of the manor. He loves flowers and is named the castle gardener. One day in the forest he meets a samurai who teaches him his technique. To ... See full summary »
I must back up the previous reviewer. This is easily one of Suzuki's best pictures and deserves a much wider audience. At the moment I am writing this it has only 1 IMDb comment - there should be essays and theses on this piece. This is a B movie but one where Suzuki enjoyed a freer rein than in others I have seen. He was also blessed with a charismatic lead and supporting characters full of the deviance he loved to explore.
The film itself is a frenetic exploration of modernity and corruption and the collapse of codes of honour in the face of commerce. Add to this gratuitous action and a love story told with a kind of melodramatic fury that stays with me today, despite the fact that it only takes up about 10 minutes of the films narrative.
This film is frantic at only 90 minutes long. Suzuki threw the pot the kettle the sink and even the camera at this film. And he caught it. I don't know what that means. I don't know what this film means. But if you like Suzuki watch it and piece it together and come to appreciate just how grand a scope a cinematic master can encompass in a 90 minute action epic.
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