7.3/10
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The Guest (1963)

The Caretaker (original title)
| Drama | July 1963 (UK)
Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald ... See full summary »

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1 win & 1 nomination. See more awards »

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Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald Pleasence), an old derelict who has been fired from a menial job in a café. In time Aston offers him a job as caretaker of the house. Aston's brother, Mick (Alan Bates) - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders. Eventually Aston, himself irritated by the cantankerous old man, puts him out. Written by alfiehitchie

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July 1963 (UK)  »

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The Guest  »

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Trivia

Donald Pleasence was nominated for the 1962 Tony Award (New York City) for Actor in a Drama for "The Caretaker" and recreated his role in this production. See more »

Quotes

Mick: I could turn this place into a penthouse. For instance this room. This room could have been the kitchen. Right size, nice window, sun comes in. I'd have I'd have teal-blue, copper and parchment linoleum squares. I'd have those colours re-echoed in the walls. I'd offset the kitchen units with charcoal-grey worktops. Plenty of room for cupboards for the crockery. We'd have a small wall cupboard, a large wall cupboard, a corner wall cupboard with revolving shelves. You shouldn't be short of ...
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Connections

Version of ITV Play of the Week: The Caretaker (1966) See more »

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User Reviews

 
Fine acting and a fine performance.
5 March 2010 | by (United Kingdom) – See all my reviews

I could not belief how good this movie is having seen many years ago on the big screen, and now on a BFI DVD. The sets suit the play so well, and the cast is very believable in every thing they do. The transfer from stage to screen is first class, and the pauses, delivery of the said lines is just right for the play. My only sadness is that WE "the British Film Industry" are just not producing things of this type nowadays rather than just a sad pap of work which demands no merit. Long live Pinter, and long live the Caretaker, see and died!!! The black and white photography is perfect and does not inter fear with the telling of the story. It must have been a very cold, cold, set on which to work.


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