The Gorgon (1964) 6.3
In the early 20th century, a Gorgon takes human form and terrorizes a small European village by turning its citizens to stone. Director:Terence Fisher |
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The Gorgon (1964) 6.3
In the early 20th century, a Gorgon takes human form and terrorizes a small European village by turning its citizens to stone. Director:Terence Fisher |
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| 0Share... |
| Complete credited cast: | |||
| Christopher Lee | ... |
Prof. Karl Meister
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| Peter Cushing | ... |
Dr. Namaroff
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Richard Pasco | ... |
Paul Heitz
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Barbara Shelley | ... |
Carla Hoffman
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| Michael Goodliffe | ... |
Professor Jules Heitz
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| Patrick Troughton | ... |
Inspector Kanof
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Joseph O'Conor | ... |
Coroner
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Prudence Hyman | ... |
The Gorgon
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Jack Watson | ... |
Ratoff
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Redmond Phillips | ... |
Hans
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Jeremy Longhurst | ... |
Bruno Heitz
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Toni Gilpin | ... |
Sascha Cass
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Joyce Hemson | ... |
Martha
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Alister Williamson | ... |
Janus Cass
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Michael Peake | ... |
Constable
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In early-twentieth-century middle-Europe, villagers are literally becoming petrified. Although the authorities try to hush the matter up, it is apparent that at the full moon, Megaera, a Gorgon, leaves her castle lair and anyone looking on her face is turned to stone. When this fate befalls a visitor, experts from the University of Leipzig arrive to try and get to the bottom of it all. Written by Jeremy Perkins <jwp@aber.ac.uk>
Hammer gives some rich production values to THE GORGON, a horror film starring PETER CUSHING as a doctor with some mysterious secrets and CHRISTOPHER LEE as an inquisitive professor who wants to solve the riddle--namely, whatever is causing the strange deaths of several unfortunate victims who turn to stone under the evil gaze of "the gorgon." BARBARA SHELLEY commands interest immediately as a mysterious woman who knows somewhat more than she should about the legendary myth involving Maguera. The story is somewhat simplistic but holds a certain power because of the atmospheric sets and the high quality of the acting by an all British cast.
I've been critical of some of the Hammer films because they use garish color to get their effects (as in THE HOUND OF THE BASKERVILLES which was done at an earlier time by Fox in glorious B&W with Basil Rathbone and Nigel Bruce, superior in every way to the Hammer version). But THE GORGON has been photographed with an eye for atmospheric details that give the proper Gothic feel to the story.
The ending is somewhat disappointing in that The Gorgon is not quite as sinister and real as it should be (especially with regard to the snake headdress), but it's good to see Christopher Lee playing a good man for a change.
Well worth viewing.