The Gorgon (1964)

In the early 20th century, a Gorgon takes human form and terrorizes a small European village by turning its citizens to stone.

Director:

Terence Fisher

Writers:

John Gilling (screenplay), J. Llewellyn Devine (original story)

Stars:

Christopher Lee, Peter Cushing, Richard Pasco

Cast

Complete credited cast:
Christopher Lee	...	Prof. Karl Meister
Peter Cushing	...	Dr. Namaroff
Richard Pasco	...	Paul Heitz
Barbara Shelley	...	Carla Hoffman
Michael Goodliffe	...	Professor Jules Heitz
Patrick Troughton	...	Inspector Kanof
Joseph O'Conor	...	Coroner
Prudence Hyman	...	The Gorgon
Jack Watson	...	Ratoff
Redmond Phillips	...	Hans
Jeremy Longhurst	...	Bruno Heitz
Toni Gilpin	...	Sascha Cass
Joyce Hemson	...	Martha
Alister Williamson	...	Janus Cass
Michael Peake	...	Constable

Storyline

In early-twentieth-century middle-Europe, villagers are literally becoming petrified. Although the authorities try to hush the matter up, it is apparent that at the full moon, Megaera, a Gorgon, leaves her castle lair and anyone looking on her face is turned to stone. When this fate befalls a visitor, experts from the University of Leipzig arrive to try and get to the bottom of it all.

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Plot Keywords:

gorgon | stone | full moon | legend | 1900s | 

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Taglines:

Petrifies the screen with Horror!

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Genres:

Fantasy | Horror | Mystery

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Certificate:

Approved

Details

Country:

UK

Language:

English

Release Date:

17 February 1965 (USA)

Also Known As:

A Górgona

Filming Locations:

Bray Studios, Down Place, Oakley Green, Berkshire, England, UK

Company Credits

Production Co:

Hammer Film Productions

Technical Specs

Runtime:

83 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Actress Barbara Shelley, who played the possessed heroine, Carla Hoffmann, wanted to play the part of the gorgon as well for continuity, and suggested to producer Anthony Nelson Keys that she use a special wig with live green garden snakes woven into it for a more realistic effect. Her idea was rejected by Keys due to budget and time considerations. When Keys saw the abysmal gorgon effects in the finished film, he told Shelley that he should have listened to her suggestion. As Christopher Lee quips, "The only thing wrong with "The Gorgon" is the gorgon!"

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Goofs

Megaera is an Erinýe, or Fury, not a Gorgon. The Gorgons were named Stheno, Euryale, and Medusa.

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Quotes

Dr. Namaroff: [Seeing Carla's reaction to his dissecting of a brain] It isn't a pretty sight. Never ceases to amaze me why the most noble word of God, the human brain, is the most revolting to the human eye.

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Connections

Featured in 100 Years of Horror: Scream Queens (1996)

User Reviews

THE GORGON (Terence Fisher, 1964) ***

Hammer’s THE REPTILE (1966) is a semi-remake of this one, and an improvement – for which the scriptwriter of THE GORGON, John Gilling, was upgraded to director. Typically, the DivX edition I watched was plagued by artifacts and a few jump-cuts (not to mention being in the odious pan-and-scan format); however, I was very glad to have finally caught up with it – especially in view of the DD Home Video company’s recent folding (this had been mentioned as one of a possible number of Columbia/Hammer DVD releases).

Peter Cushing is rather unsympathetic and pitiful here (but still commanding as ever); Christopher Lee (playing much older than his years and who only really comes onto the scene during the last half-hour) is his usual pompous self; Richard Pasco, then, makes for an unusual hero. As for the identity of the titular creature, Megera, this isn’t much of a mystery – since Barbara Shelley is virtually the only female in sight (and, conveniently, suffers from amnesia spells during the cycle of the full moon); Hammer does seem to have had their myths mixed up here, and isn’t Cushing rather negligent in having failed to prove his theory for five whole years?! Other notable cast members include police chief Patrick Troughton, Michael Goodliffe (as Pasco’s father, who along with his other son, falls victim to The Gorgon) and Jack Watson as Cushing’s over-eager aide.

In most aspects, this is a typical Hammer product from their 1955-68 heyday: rich-looking (production design courtesy of Bernard Robinson) but essentially undernourished – the monster ‘attacks’ being centered around one family unit, while the much-feared castle seems to be situated in the immediate vicinity of the local inn! Still, most of the Hammer stalwarts (above all director Fisher and composer James Bernard) are in good form – however, the two stars only interact in one brief scene and Roy Ashton’s make-up isn’t exactly great (which Fisher, astutely, generally films from a distance and, in fact, we only get to see her full figure at the very end).

Needless to say, I’d love to see this receive an official DVD release – along with my two most-desired Columbia/Hammer properties, namely TASTE OF FEAR (1961) and THE DAMNED (1963).