A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Bond is back and his next mission takes him to Fort Knox, where Auric Goldfinger and his henchman are planning to raid Fort Knox and obliterate the world economy. To save the world once again, Bond will need to become friends with Goldfinger, dodge killer hats and avoid Goldfinger's personal pilot, the sexy Pussy Galore. She might not have feelings for Bond, but will 007 help her change her mind? Written by
The rifle that Tilly Masterson uses is a AR-7 (a .22 rifle) created for pilots as the action, barrel and magazine can all be stored in the stock so the stored the weapon does not take up much room. A modern version can still be bought (as of 2013) as it will easily fit in a backpack for hikers, and when stored, is waterproof. See more »
When the industrial laser is moving into position while Bond is on the table, the blue lights on it dim and brighten in the close-up while turning completely on and off in the wide shot. See more »
Mr. Ramirez and his friends will be out of business.
At least they won't be using heroin flavored bananas to finance revolutions.
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The original UK release ended with "James Bond will return in 'On Her Majesty's Secret Service'" but by the time the film was released in America the decision had been made to make Thunderball next so the credits were changed accordingly. See more »
Could anyone not recognise that line today...and still be clinically alive?
You hear talk about a "hit movie" today...what's that? "xXx" ??? (which itself owes its total existence to this film!) No my friends, "Success" is queuing up down the street to watch a film screening two sessions ahead. GOLDFINGER was such an enormous hit in '64 nothing much else mattered but THE BEATLES and seeing Connery do his thing! and let me add, NO-ONE has ever done the James Bond thing better...as Vin Diesel himself readily admits.
GOLDFINGER was everything that James Bond, action movies and escapism in general ever COULD amount to. Dated it may be, laughable back-projections yes! outrageous jump-suits and hair-styles....but still no one has come up with a better Bond film - and God they've had 18 stabs at it! PLUS a few ring-ins. (CASINO ROYALE, NEVER SAY NEVER AGAIN) Much of the credit for this fantastic film must go to the (then) new Bond Director Guy Hamilton, who ushered-in here an acknowledgment that Bond must grow and develop as a character and the ability to be able to send both himself and the series up via some smart dialog. How they ever managed to get away with the name "Pussy Galore" on screen, still staggers me!
The gadgets hit a new high with this third outing which at the box office that year blew most everything else off the screen. At the London theater premiere, they had the famous Aston Martin actually there in the foyer...and you people think the latest Holden Commodore has some meaning???? Gimmee a break guys! Its taken them forty years to make publically available the satellite tracking system used here. THAT'S how far ahead of its time it was!
Was this packed with memorable dialog too? "This is GOLD Mr Bond!" "Lovely sport!" "Oh, he had a pressing engagement," "You don't look like the sort of girl should be ditched!" and the quintessential "I never joke about my work 007" Gert Frobe's villainous Goldfinger has never been improved upon and Harold Sakata's bad-guy Oddjob simply never equalled.
GOLDFINGER had everything. It stands as perhaps THE icon of 60's movie-making and for those lucky enough to have been around then, it remains the most beloved of nostalgic revisitations.
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