A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Bond is back and his next mission takes him to Fort Knox, where Auric Goldfinger and his henchman are planning to raid Fort Knox and obliterate the world economy. To save the world once again, Bond will need to become friends with Goldfinger, dodge killer hats and avoid Goldfinger's personal pilot, the sexy Pussy Galore. She might not have feelings for Bond, but will 007 help her change her mind? Written by
Goldfinger was adapted as a comic strip and published in the English "Daily Express" newspaper from 3 October 1960 to 1 April 1961. It was written by Henry Gammidge and illustrated by John McLusky. It has had world-wide syndication and was reprinted in 2004. The villains Goldfinger and Oddjob also feature in a story in Alan Moore's League of Extraordinary Gentleman comic book. Goldfinger star Sean Connery would later play the lead in the movie adaptation of The League of Extraordinary Gentlemen (2003). See more »
During the golf game when Oddjob "finds" Goldfinger's ball in the rough, it appears to be located several yards from the edge of the fairway. However when Goldfinger goes to hit the ball, it is in the rough on the very edge of the fairway. See more »
Mr. Ramirez and his friends will be out of business.
At least they won't be using heroin flavored bananas to finance revolutions.
See more »
The original UK release ended with "James Bond will return in 'On Her Majesty's Secret Service'" but by the time the film was released in America the decision had been made to make Thunderball next so the credits were changed accordingly. See more »
Goldfinger was the third Bond film and, on its release in 1964, proved itself to be the first blockbuster of the series, firmly establishing OO7 in the public imagination. Dr No and From Russia with Love had both been successful, but Goldfinger outperformed both at the Box Office, and in the process laid down the guidelines for nearly every Bond film that has followed since.
There is undoubtedly much to admire about the film, not least the memorable Shirley Bassey theme song, still one of the best. Guy Hamilton directs with impressive assurance, the locations are excellent and Sean Connery is once again the epitome of cool as Bond, although he is not as menacing as he was in the first two films. He is, however, still a believable character and finds himself in genuine danger during the film, having to rely on his wits to survive. Goldfinger is one of the great Bond villains, played with real bonhomie by Gert Frobe, who succeeds in making him a more fleshed-out character than many of the one-dimensional baddies of later films. The wonderfully-named Pussy Galore, meanwhile, is one of the best Bond girls. Honor Blackman plays her as a woman with real spirit and intelligence, and it is a pity she does not get more screen time.
Goldfinger also introduced several elements which have since become cliches of the Bond series. For the first time Bond visits Q's workshop to pick up his equipment, and for the first time he receives some fancy gadgets, packaged up in the famous and stylish Aston Martin. The film is also injected with a lot more humour than its predecessors, with OO7 throwing out one-liners more frequently and a somewhat camper tone being introduced to proceedings. As Oddjob, Howard Sakata is the first in a long line of totally silent but lethal henchmen. He is not as good as Red Grant in From Russia with Love (who spoke), but his deadly hat is memorable, and he is a formidable opponent for Bond.
Good as it is, however, it could be argued that Goldfinger had a malign influence on many of its successors. Because it was so successful, the Bond producers became convinced that later OO7 releases should follow the same gadget-led, tongue-in-cheek style, but on a grander scale. As a result, Goldfinger began the shift away from the relatively serious, hard-edged tone of the first two films towards the light-hearted visual spectaculars that would come to dominate the franchise in the 1970s. Taken on its own terms, though, Goldfinger certainly ranks as one of the best Bond films, and is much better than the later ones which tried hardest to mimic and outdo it. Personally I like the tougher films in the franchise the best, especially From Russia with Love, but Goldfinger is the most enjoyable Bond film of its kind, and deserves its classic status.
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