Duke and Boots, two young thugs, hold up a California gas-station owner. Duke, viral and savage, taunts the slower and psychologically-confused Boots because he has never made a sexual ... See full summary »
In this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
An awkward young Irish farm girl Kate Brady moves to Dublin and shares a room with funny, outgoing Baba Brennan, where she soon meets Eugene Gaillard, a middle-aged writer, who is immediately attracted to the shy and innocent Kate, ignoring the more sophisticated Baba. Written by
In the montage of the girls getting ready for their dates near the movie's beginning, the 45 r.p.m. record is "Fell In Love On Monday" by Fats Domino, who is also the topic of the magazine article near the record. See more »
Poor Rita Tushingham--she did seem to inherit some strangely frustrating parts.
In "A Taste of Honey" she was a young pregnant girl, first abandoned by her itinerant sailor, then landing in a "relationship" with a sadly confused chap.
In "Girl with Green Hair," she's another adolescent who falls for a man twice her age. Won't she ever learn?
Director Desmond Davis' work resembles Tony Richardson's so much that their styles are almost interchangeable. It may be because Composer John Addison also scored Richardson's "A Taste of Honey," and "Loneliness of the Long Distant Runner." It's remarkable how Addison's bleakly dissonant style so greatly influences the moods of these dramas.
With Davis employing a lot of contrapuntal passages played by a thin woodwind ensemble--often featuring a solo oboe--one does feel the emptiness and loneliness of character emotions.
There was no one who embodied the "Cockney Kitchen Sink" dramas of the 60s like Tushingham. She was perfect for her parts. Here ably supported by Peter Finch as a blase older man and Lynn Redgrave as a daftly talkative friend, Tushingham plays her role to the hilt.
By the end, the viewer has come to experience a limited encounter--rather doomed from the start--between a worldly wise Dublin land owner and working class Brit girl . . . the latter of whom is finally able to move on with her education and find acquaintances more her age.
The viewer during this visit has experienced some telling scenes of Irish-English life, and an interesting adolescent/mature fling at a brief encounter.
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