In England, the times are a changing: it's mods and rockers. On the day Nancy gets off the London train, cases in hand, looking for the YWCA, Colin has had enough of missing out on the ... See full summary »
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
Set in post-nuclear-holocaust England, where a handful of bizarre characters struggle on with their lives in the ruins, amongst endless heaps of ash, piles of broken crockery and brick, ... See full summary »
51-year-old Herbert Strehlow, a furniture restorer, falls in love with 21-year-old Lea, who has not spoken a word since childhood when her father killed her mother. She bears a striking ... See full summary »
Venezia, la città romantica per eccellenza che predispone all'amore; Isabelle, una bella avventuriera a cui sono rimasti solamente alcuni gioielli ed è alla ricerca di un marito ricco; ... See full summary »
Vittorio De Sica,
Candy is a fetching unwed young lady with a penchant for pregnancy. Her adventures begin when she leaves her sheltered boarding school background for Paris. The result is the birth of Valentine nine months later.
An awkward young Irish farm girl Kate Brady moves to Dublin and shares a room with funny, outgoing Baba Brennan, where she soon meets Eugene Gaillard, a middle-aged writer, who is immediately attracted to the shy and innocent Kate, ignoring the more sophisticated Baba. Written by
Long into watching this studiously "small," slice-of-life portrait of a naive young woman, I was still wondering if the film would turn out, in the end, to have been worth watching. Earnest in its desire to be grittily true-to-life, in the neo-realist manner of the Angry Young Men, it is also clearly intoxicated with the quotidian lyricism and plain-spoken poetry of la nouvelle vague. It attempts to be charming and brutally frank at the same time, and manages, to some extent, to carry it off.
But will we end up caring about Tushingham's somewhat obtuse small town escapee, or Finch's sophisticated cold fish? Or will we be left with the rather sodden sensation that we've wasted our time eavesdropping on bores? For my part, I was pleasantly surprised. The story ends with the palpable sense that Kate has grown up a bit, and Eugene has grown a little older and sadder. We've looked on as two people have lived their bittersweet lives, much as we live our own -- and we're a little sad to bid them adieu.
To sum up: not as fresh and appealing today as it probably seemed in its time, but still rewarding and worthwhile.
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