(1962) Kirk Morris, Michelle Girardon. One of the more obscure of the "Sons of Hercules" film series. The son of Hercules is pitted against a ruthless desert warrior. A cut above average ... See full summary »
Muscleman Ohro travels to the sinful capital of Atlantis to rebuke its godlessness and hubris and becomes involved in the battle against its evil lord Yoh-tar and his hideous super-science ... See full summary »
Framed for the escape of five gladiators from the arena, the son of one of Sparta's leading citizens is sentenced to the arena as gladiator himself and forced to fight for his life in the ... See full summary »
The journalist Alan Foster makes a bet than he can spend one night at the haunted Blackwood Castle. As he learns, the rumors of ghosts at the castle are indeed true. On All Soul's Eve the ... See full summary »
In the 21st century, aliens (weird, green, lights which sometimes manifest themselves as large clouds of smoke) invade the solar system. Using Mars as their base, they steal all of Earth's ... See full summary »
A deranged scientist is using his employer's top-secret bio-laboratory to engage in clandestine eugenics experiments. When he starts kidnapping leading citizens for use in his twisted tests... See full summary »
During an air trip, Prince Tancredi, a well-known abstract artist, gets to know air hostess Judy and is charmed by the young woman. When he asks her to pose for him Judy accepts. Following ... See full summary »
Germania was a name for Germany first used by the Romans by Julius Caesar in his commentaries on the Gallic Wars, and the name "Germanicus" was derived from that. Hence no soldier in Caesar army in Gaul would have been named Germanicus. See more »
Playing almost like a Roman-era version of THE GUNS OF NAVARONE (1961) with an elite group of specially-skilled soldiers handpicked by Julius Caesar to go on a suicide mission and destroy the Druids' secret weapon this is an agreeable time waster which is moved along at a brisk and efficient pace by prolific director Margheriti. He was perhaps the most erratic of the three Italian genre specialists (the others being, obviously, Riccardo Freda and Mario Bava) who basically set the foundation of what today is referred to as "Euro-Cult"; I've now watched some 9 of his films and the most satisfying have been his 2 horror outings starring Barbara Steele THE LONG HAIR OF DEATH (1964) and CASTLE OF BLOOD (1964).
Sensibly, THE GIANTS OF ROME does not opt to make its heroes invincible (as was usually the case in films of this type) and despite a happy ending, all but one member of the group lose their life in accomplishing the all-important mission. The "secret weapon", however, turns out to be a major let-down: though one of the Romans expresses great surprise at never having seen anything like it, a little while later the leader of the group refers to it by name as if he had been around such devices all his life! Still, the most hilarious moment of the film came when the leading lady solemnly tells our hero her life-story which includes the fate of her father, one Fulvius Lucisanus (Fulvio Lucisano being a leading Italian producer of the time, though he doesn't seem to have had anything to do with this particular title!!)
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