| Nina Pens Rode | ... | Gertrud Kanning | |
| Bendt Rothe | ... | Gustav Kanning | |
| Ebbe Rode | ... | Gabriel Lidman | |
| Baard Owe | ... | Erland Jansson | |
| Axel Strøbye | ... | Axel Nygen | |
| Karl Gustav Ahlefeldt | |||
| Vera Gebuhr | ... | The Kannings' Maid | |
| Lars Knutzon | ... | Student orator | |
| Anna Malberg | ... | Kanning's mother | |
| Edouard Mielche | ... | The Rector Magnificus (as Edouard Mielché) | |
| rest of cast listed alphabetically: | |||
| Valsø Holm | ... | (uncredited) | |
| Carl Johan Hviid | ... | (uncredited) | |
| William Knoblauch | ... | (uncredited) | |
| Gurli Plesner | ... | (singing voice) (uncredited) | |
| Ole Sarvig | ... | (uncredited) | |
Directed by | |||
| Carl Theodor Dreyer | |||
Writing credits | ||
| Hjalmar Söderberg | (play "Gertrud") | |
| Carl Theodor Dreyer | (as Carl Th. Dreyer) | |
Produced by | |||
| Jørgen Nielsen | .... | producer | |
Original Music by | |||
| Jørgen Jersild | |||
Cinematography by | |||
| Henning Bendtsen | |||
| Arne Abrahamsen | (uncredited) | ||
Film Editing by | |||
| Edith Schlüssel | |||
Art Direction by | |||
| Kai Rasch | |||
Costume Design by | |||
| Berit Nykjær | |||
| M.G. Rasmussen | (costumes: men) | ||
Makeup Department | |||
| Bodil Overbye | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Solveig Ersgaard | .... | assistant director | |
| Jens Ravn | .... | assistant director | |
Art Department | |||
| Willy Berg Hansen | .... | property master | |
Sound Department | |||
| Knud Kristensen | .... | sound | |
Camera and Electrical Department | |||
| Ove Hansen | .... | lighting technician | |
Costume and Wardrobe Department | |||
| Fabielle | .... | costumer: "Gertrud" | |
Music Department | |||
| Peter Willemoes | .... | conductor | |
Other crew | |||
| Winnie | .... | hat maker: "Gertrud"'s hats | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Denmark section |
You might be dismayed the first time you view Gertrud. Is this a masterpiece you might ask yourself? Nothing seems to happen. People sit and talk. Sometimes they get up and move about and then go and sit down again. When they do talk, it is not always facing one another. Gertrud herself often appears to be in a trance, staring towards another world, a beyond of perfection where no mortal man can exist or match up to her dreams. By the end of the film she seems to have become as bloodless and lifeless as a statue. Whiteness has overcome her and it is as lethal as the powder in the mill of Dreyer's Vampyr.
This is a film that must be watched several times in order for all its qualities to be revealed. The characters movements are exactly choreographed. The decor is stripped down to its essentials. There is nothing in the frame that does not comment. It might appear on the surface to be a naturalistic film, but it is, in fact, as staged and controlled as any Fellini. Gertrud is about the martyrdom of a woman who seeks perfection in a flawed world. Its surface, is as still, and tranquil, as a lake in a park, but underneath, everything is turmoil and volcanic emotion