Family honor, greed, machismo, homophobia, and the dreams of whores collide in a Mexican town. Rich, elderly Don Alejo is poised to sell the town for a profit, needing only to buy a ... See full summary »
Rosario (Palma) becomes a prostitute after losing her father and discovering her boyfriend had a liaison with another woman. In Veracruz, Rosario lives above a sordid cabaret "selling her ... See full summary »
Raphael J. Sevilla
Highly symbolic and allegorical, this drama takes the search of a son for his father in the chaotic times of the Mexican Revolution and the early 1900s as its basis. Stereotypical (or ... See full summary »
Ignacio López Tarso,
Quino is a Mexican diver who discovers a pearl at the bottom of the sea. He and his wife Juana, and their son have just taken possession of a pearl that is worth thousands. Everyday people ... See full summary »
María Elena Marqués,
Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. ... See full summary »
Herrera (Armendariz) and Gómez (Fernandez) are on opposite sides in the Revolution; when the two men return home, one finds that his mistress, La Bandida (Maria Félix) is involved with ... See full summary »
Ignacio López Tarso
An illiterate Indian (Ignacio Lopez Tarso) lives an idyllic existence as a landowner on Mexico's Gulf Coast until the greed of a US oil company gets in the way. He is murdered and the lives... See full summary »
Ignacio López Tarso,
El Gallo de Oro is one of those works where a part overshadows the whole, with discomforting consequences - perhaps in Mexico in 1964, viewers of a film where a poor man takes up cockfighting (of all noble lifestyles to pursue) could focus on the protagonist and his internal journey to find a good life and bury his newly-deceased mother properly. For today's audience, however, which likely consists mainly of Spanish language students and connoisseurs of 60's hispanic cinema, the plot nearly becomes overshadowed by the constant reminders of exactly why cockfighting is now illegal. I'm not an animal rights extremist, either - I don't think many people could watch two roosters go at it (squawking and poking each other's eyes out until one kills the other with the four-inch blade strapped to its claws) and see this as a Glorious Triumph for the Poor Peasant who Just Wants to do the Right Thing.
I'm sure that this film has value in a historical context, showing how life for some in Mexico used to be. The scenery and the clothing are true to form, and some insight is given on the "bets, booze & broads" lifestyle of 1960's rico-suaves. El Gallo also takes every opportunity possible to showcase historic Mexican music, through Lucha Villa's forced mezzo-soprano belting into song (after song after song...). But for the most part, El Gallo de Oro only serves to leave the viewer happy that it's over, and relieved that today's generations of roosters can greet the dawn in peace.
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