| Bibi Andersson | ... | Humlan | |
| Harriet Andersson | ... | Isolde | |
| Eva Dahlbeck | ... | Adelaide | |
| Karin Kavli | ... | Madame Tussaud | |
| Gertrud Fridh | ... | Traviata | |
| Mona Malm | ... | Cecilia | |
| Barbro Hiort af Ornäs | ... | Beatrica | |
| Allan Edwall | ... | Jillker | |
| Georg Funkquist | ... | Tristan | |
| Carl Billquist | ... | The young man | |
| Jarl Kulle | ... | Cornelius | |
| rest of cast listed alphabetically: | |||
| Jan Blomberg | ... | English radio reporter (uncredited) | |
| Lars-Owe Carlberg | ... | Driver (uncredited) | |
| Axel Düberg | ... | Man in black (uncredited) | |
| Doris Funcke | ... | Waitress (uncredited) | |
| Göran Graffman | ... | French radio reporter (uncredited) | |
| Yvonne Igell | ... | Waitress (uncredited) | |
| Ulf Johansson | ... | Man in Black (uncredited) | |
| Lars-Erik Liedholm | ... | The driver (uncredited) | |
| Gösta Prüzelius | ... | Swedish radio reporter (uncredited) | |
| Jan-Olof Strandberg | ... | German radio reporter (uncredited) | |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | (as Buntel Eriksson) | |
| Erland Josephson | ||
Produced by | |||
| Allan Ekelund | .... | producer (uncredited) | |
Original Music by | |||
| Erik Nordgren | (uncredited) | ||
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Ulla Ryghe | |||
Production Design by | |||
| P.A. Lundgren | |||
Costume Design by | |||
| Mago | |||
Makeup Department | |||
| Cecilia Drott | .... | makeup assistant | |
| Britt Falkemo | .... | makeup assistant | |
| Börje Lundh | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Lenn Hjortzberg | .... | assistant director | |
| Lars-Erik Liedholm | .... | assistant director | |
Art Department | |||
| Karl-Arne Bergman | .... | property master (as Karl Arne Bergman) | |
Sound Department | |||
| Evald Andersson | .... | sound effects | |
| Olle Jacobsson | .... | sound mixer (as Olle Jakobsson) | |
| Per-Olof Pettersson | .... | sound (as P.O. Pettersson) | |
| Tage Sjöberg | .... | sound | |
Camera and Electrical Department | |||
| Lars Johnsson | .... | assistant camera | |
| Harry Kampf | .... | still photographer | |
| Peter Wester | .... | assistant camera | |
| Gerhard Carlsson | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Bertha Sånnell | .... | assistant costume designer | |
Other crew | |||
| Lars-Owe Carlberg | .... | location manager | |
| Katinka Faragó | .... | script supervisor (as Katherina Faragó) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Sweden section |
Bergman's first colour film and a rare comedy is one of those films that are definitely something of an acquired taste and which may only appeal to those already familiar with the usually more sombre director. The farcical story concerns the attempts by an egotistical and pretentious biographer and amateur composer - to blackmail an enigmatic (and never seen) cellist into performing one of his pieces in return for writing a favourable biography. We learn of Felix the cellist only through the conversations of a bevy of enamoured women who live in his sumptuous manor.
There's a self-mocking tone in this film that doesn't really ring true, and a strong impression that someone behind it all is incredibly impressed by their own cleverness and that any inability on our part to share or understand the joke is more of a reflection on us than it is on them.
Bergman makes good use of colour, and the cinematography is sumptuous throughout as are the women, who all look ravishing. Other than that, however, there's not much to recommend this mercifully brief effort. The lead character Cornelius (Jarl Kulle) is a dislikeable and annoying fool, none of the characters are particularly interesting, and Bergman provides ample ammunition for those who accuse him of having no sense of humour .