5.7/10
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All These Women (1964)

För att inte tala om alla dessa kvinnor (original title)
The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with ... See full summary »

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Cast

Complete credited cast:
...
Humlan
...
Isolde
...
Adelaide
Karin Kavli ...
Madame Tussaud
Gertrud Fridh ...
Traviata
Mona Malm ...
Cecilia
...
Beatrica
...
Jillker
Georg Funkquist ...
Tristan
Carl Billquist ...
The Young Man
...
Cornelius
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Storyline

The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information and tries to blackmail the cellist into performing a composition that he, Cornelius, has written. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

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Taglines:

Ingmar Bergman's new comedy. Dazzling color. See more »

Genres:

Comedy

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Release Date:

5 October 1964 (USA)  »

Also Known As:

All These Women  »

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Color:

| (Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This is Ingmar Bergman's first color film. See more »

Quotes

Jillker: A genius acquires widows of many kinds.
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User Reviews

 
Not as bad as I'd heard
27 April 2014 | by (Saint Paul, MN) – See all my reviews

This comedy, most notable for being Bergman's first film in color, is often considered one of his worst. I went into it with very low expectations, glad that it was just 80 minutes long. Thankfully, it's not nearly as bad as its reputation. It's minor Bergman, for sure. It's main crime is that it thinks it's much funnier than it ever is. That can be annoying, but, really, the film isn't exactly unfunny. Personally, I think Bergman only did comedy right once, with Smiles of a Summer Night, and even that one I don't think is amongst his best work. Simply put, Bergman excels at tragedy, and his comedy can feel forced. This film revolves around an art critic (Jarl Kulle, Bergman's most mugging actor) who comes to write a biography of a famous cellist at his palatial estate. The cellist (whose face never appears on screen) is a philanderer, surrounding himself with women of various ages (including Bibi Andersson, Harriet Andersson and Eva Dahlbeck). Kulle starts a fling with Bibi Andersson, and soon discovers that one of the wives or mistresses is attempting to murder the cellist. The Bergman film this reminds me most of is The Devil's Eye, which also stars Kulle (if I recall correctly, that one is slightly less comic). The color cinematography is actually quite excellent. Bergman didn't film again in color until Cries and Whispers. This is available on Hulu Plus.


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