A man and wife are terrorized by Mad Scientist Dr. Callistratus who was executed but has returned to life with a heart transplant. Along with his crippled assistant Carl, the 'anemic' Mad ... See full summary »
In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive by the Holy Inquisition of Mexico for witchcraft, necromancy, and other crimes. As he dies, the Baron swears ... See full summary »
500 years after they were blinded and executed for committing human sacrifices, a band of Templar knights returns from the grave to terrorize a rural Portuguese village during it's ... See full summary »
Amando de Ossorio
In the 13th century there existed a legion of evil knights known as the Templars, who quested for eternal life by drinking human blood and committing sacrifices. Executed for their unholy ... See full summary »
Amando de Ossorio
María Elena Arpón
After one too many encounters with The Spiders (a rival gang), The Ravens' leader's girlfriend tells him to quit the gang or it's Splitsville. He does so, but the leader of The Spiders is ... See full summary »
An alcoholic actress, her personal assistant, and their pilot are downed on a secluded isle by bad weather, where a renegade Nazi scientist is using ocean life to develop a solvent for human flesh. The tiny flesh-eating sea critters that result certainly give our heroes a run for their money - and lives. Written by
The Flesh Eaters used a very William Castle like exploitation gimmick; plastic packets of "instant blood" were given out to each patron as they entered the theatre in case they were attacked by flesh eaters. See more »
Hey! Wonder what makes 'em do it? You think they want the world to hate 'em? They wanna be punished because of some guilt complex? Hey - you think maybe they just kooky?
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Reviewers have not mentioned the gorgeous cinematography of THE FLESH EATERS, which is the work of the director, Jack Curtis, working under a pseudonym, Carson Davidson. Virtually every scene was shot outdoors in the merciless sun of summertime Long Island, but Curtis's lighting banishes unsightly shadows from the actors' faces; indeed, in many moments the exteriors are shimmering, almost silvery in their beauty. Deep focus and shallow focus are utilized with particular effectiveness. The women in the film are very good-looking, and as captured on film, they appear warm and absolutely delicious.
Another useful note is that THE FLESH EATERS was scripted by comic book writer Arnold Drake (The Doom Patrol, Marvel's Captain Marvel, et al). Arnold storyboarded the film, so every shot has the careful, formalized composition of a well-drawn comic strip. One shot, a sterling example of deep focus, sticks with me: the right profile of the hero dominates the left-side foreground of the frame. In a moment, two or three tiny figures at the far-removed shoreline move left to right, from behind the hero's head, and in perfect focus. Self-conscious? Yes. Striking? Absolutely.
Finally, Curtis & Co. shot THE FLESH EATERS silent, which is NOT apparent.The post-production looping matches flawlessly to the performances, and the voices have weight and presence. (Curtis had experience in the dubbing of foreign films for the American market.)
The gratuitous but not uninteresting Nazi-lab sequence was not shot by Curtis, and has none of the visual beauty of the rest of the film. Its shock value, though, is strong.
I rate THE FLESH EATERS AN "8" not against all films, but against other films of its type. As B exploitation, it is ingenious, nastily amusing, and immensely satisfying.
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