Based on the HG Wells story. The world is delighted when a space craft containing a crew made up of the world's astronauts lands on the moon, they think for the first time. But the delight ... See full summary »
Reminiscent of Sunset Boulevard, Hustler White transposes the action from the silver screen's old movie backlots to contemporary male prostitution and the porn industry. Said to be an homage to classic Hollywood cinema.
In 1969 the Apollo moon landing is to be televised internationally but at a country fair in England a small boy named Jim meets the 90-year-old Julius Bedford who tells him that,in 1909,as ... See full summary »
A talented and successful actor retires at a young age due to a perceived mental illness. Now living in a small town with his deranged sister and his best friend, we watch as their Maladies intertwine.
Three Texas teens hope to make a break for it and escape their dead-end existence in a cotton-mill town but get sucked into the seedy underbelly of organized crime when one of them steals from the wrong man.
Jeremy Allen White
Based on the HG Wells story. The world is delighted when a space craft containing a crew made up of the world's astronauts lands on the moon, they think for the first time. But the delight turns to shock when the astronauts discover an old British flag and a document declaring that the moon is taken for Queen Victoria proving that the astronauts were not the first men on the moon. On Earth, an investigation team finds the last of the Victorian crew - a now aged Arnold Bedford and he tells them the story of how he and his girlfriend, Katherine Callender, meet up with an inventor, Joseph Cavor, in 1899. Cavor has invented Cavorite, a paste that will allow anything to deflect gravity and he created a sphere that will actually take them to the moon. Taking Arnold and accidentally taking Katherine they fly to the moon where, to their total amazement, they discover a bee-like insect population who take an unhealthy interest in their Earthly visitors... Written by
Lee Horton <Leeh@tcp.co.uk>
The character of Katherine Callender does not appear in the original H.G. Wells book. Her being from Boston is possibly an allusion to the Jules Verne Moon stories, where the lunar exploration society was based in that city. See more »
While in space, the background star field shown as they head towards the Sun is identical to the background star field as they head away from the Sun. See more »
It's... absolutely... imperial.
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Filmed in Dynamation - The wonder of the screen! See more »
The Schneer/Harryhausen team’s follow-up to the Jules Verne adventure MYSTERIOUS ISLAND (1961) is this similarly colorful turn-of-the-century spectacle adapted from an H.G. Wells novel. While not as popular or as exhilarating as the earlier film perhaps, it’s nonetheless a delightful yarn and one of the team’s best overall efforts.
Starting off in a modern-setting as the ‘first’ landing on the Moon is taking place (about 5 years before the actual fact), the astronauts are flabbergasted to find the Union Jack and a note indicating that an English scientist had already claimed it back in 1899! We’re then introduced to the character played by Edward Judd (currently institutionalized in old folks’ home) – who, with his fiancée Martha Hyer, had accompanied Professor Lionel Jeffries on that fateful yet unsung trip to the Moon; the story proper is then told in flashback. The film has been criticized for its over-abundance of comic relief in the persona of the buffoonish Jeffries; however, for my part, I was totally taken with his eccentric character and his performance is an utter joy to behold. Judd is his typical roguish self, while Hyer adds charm and loveliness to the already attractive scenery (of Victorian England and the imaginative lunar landscape with its cavernous interiors).
It takes quite some time to get to the scenes on the Moon and, once there, we’re treated to just two of Harryhausen’s trademark (albeit marvelous) creations – a couple of giant caterpillars, whom our heroes have to fend off, and the mass of Selenite inhabitants, who seem eager to study the intruding Earthlings (the script, co-written by famed sci-fi expert Nigel Kneale, is at its most introspective during Jeffries’ trial before The Grand Lunar). Further reason why the expedition proves insufficiently exciting is the fact that we learn precious little of Life on the Moon…and it all concludes on a somewhat anti-climactic note (even more disappointing because Wells was basically repeating himself!).
That said, the film does looks great in color and widescreen (luckily, the DivX copy I watched didn’t suffer from the distracting jerkiness which had plagued my recent viewings of other vintage sci-fi titles on this format), and Harryhausen’s various props – such as the makeshift space-gear (actually diving-suits), the spherical ship, and “Cavorite” (the substance invented by Jeffries which enables the flight into outer space and back, simply by being applied as a coating on the spaceship’s surface!), add to the fun and pervading sense of wonder. Laurie Johnson’s rousing score, then, emerges as the perfect accompaniment to the fantastic proceedings and, undoubtedly, one of the film’s major assets. By the way, Peter Finch famously appeared in an unbilled cameo in this film as a messenger for the local bailiff (apparently, he visited the set and then offered his services to replace an actor who had failed to show up!).
Ultimately, rather than being considered a visionary sci-fi epic, the film rightfully belongs amid the long-running cycle of entertaining (if somewhat juvenile) adventure films based on classic literary tales – 20,000 LEAGUES UNDER THE SEA (1954), AROUND THE WORLD IN 80 DAYS (1956), FROM THE EARTH TO THE MOON (1958), JOURNEY TO THE CENTER OF THE EARTH (1959), THE LOST WORLD (1960), MASTER OF THE WORLD (1961), the aforementioned MYSTERIOUS ISLAND, FIVE WEEKS IN A BALLOON (1962), THE LOST CONTINENT (1968), THE LAND THAT TIME FORGOT (1975), etc.
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