Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country.
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build an ice factory in the middle of the jungle. Conflicts with his family, a local preacher ... See full summary »
Set in 1898, this movie is based on the true story of two lions in Africa that killed 35 people over a nine month period, while a bridge engineer and an experienced old hunter tried to kill... See full summary »
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition ... See full summary »
A series of human and computer errors sends a squadron of American 'Vindicator' bombers to nuke Moscow. The President, in order to convince the Soviets that this is a mistake, orders the Strategic Air Command to help the Soviets stop them. Written by
KC Hunt <firstname.lastname@example.org>
The view of the satellite zooming into a closer shot is actually film taken from a camera mounted on a captured German V2 rocket launched from White Sands, New Mexico. The film is run backwards to show the illusion of zooming closer to the ground. See more »
In chapter 9, at 40:00 into the film, professor Groeteschele (Walter Matthau) is speaking in the Pentagon. There appears to be a man dressed in black sitting under the big board, but it is the professor's shadow. See more »
Defense Secretary Swenson:
The President says he may have to order our fighters to shoot down Group Six. He wants our opinion.
I oppose it, sir, on the grounds that it's premature. Our planes have not yet reached Soviet territory, they're still hundreds of miles away.
Brigadier General Warren A. Black:
We've got to do it, and fast! Right now before it's too late!
It might be too late anyway. Those fighters swung away from the bombers when they got the all-clear signal, they've been flying in opposite directions.
See more »
[FINAL CREDIT]: The producers of this film wish to stress that it is the stated position of the Department of Defense and the United States Air Force that a rigidly enforced system of safeguards and controls insure that occurrences such as those depicted in this story cannot happen See more »
I saw this movie via two instances of serendipity. First I just happened to be living in an area that offered The Disney Channel in the basic cable package (which is all I ever get) and that as a Bruce Springsteen fan I was excited that the Disney Channel was going to broadcast a special concert short on The Boss. Of course I'm an older Springsteen fan, so instead of staying up late to watch it I just put a tape in and pressed record. The next day I enjoyed the concert, but forgot to hit stop when it ended. What followed next was "Fail Safe". After a few minutes it caught my interest, and now is one of my favorite films.
I'm not sure if this was a precursor to "Strangelove" or vice versa, for they are both listed as 1964 releases. Oddly they both have the same texture about them which leads me to believe that there was more than coincidence in their respective productions. Both are piece de resistances in Cold War studies. The main sundering is that where "Strangelove" excels in parody, "Fail Safe" is rich in tension.
Of course an anxious film about nuclear war on the brink can easily invoke tension (remember "War Games"?), but this film exceeds a good plot. The filmmakers use a backdrop of soceital depravity to create neurasthenia and presentiment; as shown by the strange and erotic scene with Walter Matthau and the woman in the car (kind of a mass-sadisim, lust thing) and the implied domestic violence in the apartment scene. The movie is also deliciously philosophical (the clever "criminals and file clerks will survive" theory) as well as adroit phsycological character development for all the main characters.
The picture is also darkly filmed, remarkedly minimalist and low-budget as if to show the limits of technology, in order to symbolize the sophistry of our trust in it. BTW I love the Matthau character's (the political science professor) line as he explains the faults of missles that have no human intuition. "The rockets have the defect of their virtues" he says in explaining how they cannot make a conscious decision to abort after receiving an order. But the message in this film is clear; even if technology breaks down it is only a symptom of our doom, ultimately it is humans who are responsible.
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