Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
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Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. Fortuitously finding the creature he was previously working on, he brings it back to a semblance of life but requires the services of a mesmerist, Zoltan, to successfully animate it. The greedy and vengeful Zoltan secretly sends the monster into town to steal gold and 'punish' the burgomaster and the chief of police, which acts lead to a violent confrontation between the baron and the townspeople. Written by
Doug Sederberg <vornoff@sonic.net>
When first shown on television in 1968, some theatrical scenes were replaced by less intense scenes filmed by another director and with extra actors included. See more »
Quotes
Baron Frankenstein:
[upon discovering a hanged effigy of himself inside his ransacked home]
Why can't they leave me alone? Why can't they *ever* leave me alone?
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This film appeared from no-where. It did not follow from The Revenge of Frankenstein, which had immediately preceded it, and the next film in the series, Frankenstein Created Woman, makes no mention of this film. This is a one-off film in the Hammer Frankenstein saga much in the same way that Scars of dracula is a one-off in the Dracula saga. For once, the story is rather flimsy, and the characters fail to build any pathos with the audience. The acting is good, but has no-where to go. It seems to be a remake of any number of Universal horror films rather than an original Hammer film. The direction is rather flat and the monster is just some monolithic doomsday machine running around, destroying everything. On the plus side, the atmosphere is suitably gothic and the costumes are realistic. It is, however, the least best Frankenstein film featuring peter Cushing.
9 of 11 people found this review helpful.
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This film appeared from no-where. It did not follow from The Revenge of Frankenstein, which had immediately preceded it, and the next film in the series, Frankenstein Created Woman, makes no mention of this film. This is a one-off film in the Hammer Frankenstein saga much in the same way that Scars of dracula is a one-off in the Dracula saga. For once, the story is rather flimsy, and the characters fail to build any pathos with the audience. The acting is good, but has no-where to go. It seems to be a remake of any number of Universal horror films rather than an original Hammer film. The direction is rather flat and the monster is just some monolithic doomsday machine running around, destroying everything. On the plus side, the atmosphere is suitably gothic and the costumes are realistic. It is, however, the least best Frankenstein film featuring peter Cushing.