IMDb > Einer Frisst den anderen (1964)
Einer Frisst den anderen
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Einer Frisst den anderen (1964) More at IMDbPro »


Overview

User Rating:
5.5/10   141 votes »
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Down 6% in popularity this week. See why on IMDbPro.
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Release Date:
13 July 1966 (USA) See more »
Tagline:
Somewhere in Europe, three unlikely thieves have stolen $1,000,000 in obsolete currency from the United States Treasury. When local hoteliers decide to get a piece of the action, things get complicated, and a game of cat and mouse ensues on a remote island. Stars Jayne Mansfield. See more »
Plot:
Three thieves rip off a shipment of used money being sent back to the US. As they are escaping the robbery (after having taken a hostage)... See more » | Add synopsis »
NewsDesk:
DVD Playhouse--December 2009
 (From The Hollywood Interview. 19 December 2009, 3:11 PM, PST)

User Reviews:
Underrated Sixties Noir See more (15 total) »

Cast

  (in credits order) (complete, awaiting verification)

Jayne Mansfield ... Darlene / Mrs. Smithopolis

Cameron Mitchell ... Lylle Corbett
Dodie Heath ... Sandra Morelli
Ivor Salter ... Dolph Kostis / Mr. Smithopolis

Isa Miranda ... Madame Benoit
Elisabeth Flickenschildt ... Lady Xenia
Werner Peters ... Jannis, Xenia's Butler
Pinkas Braun ... Livio Morelli
Robert Gardett ... Police Detective Gino
Ines Taddio ... Hotel Americano's Singer
Siegfried Lowitz ... Bank Guard (scenes deleted)
Aldo Camarda ... Hotel Americano's Barman
rest of cast listed alphabetically:
Carolyn De Fonseca ... Darlene (voice: English version) (uncredited)
Domenico Ravenna ... Man in night club (uncredited)

Directed by
Gustav Gavrin 
Richard E. Cunha (english version)
Ray Nazarro (credit only)
Albert Zugsmith (some scenes)
 
Writing credits
Robert Hill  and
Michael Elkins 

Robert Bloomfield (novel "When Strangers Meet")

Produced by
Ernst Neubach .... producer
Carl Szokoll .... associate producer
 
Original Music by
Carlo Savina 
 
Cinematography by
Riccardo Pallottini 
 
Film Editing by
Gene Ruggiero 
 
Art Direction by
Wolf Witzemann 
 
Costume Design by
Giulio Cabras 
 
Makeup Department
Attilio Camarda .... makeup artist
Franco Corridoni .... makeup artist
 
Production Management
Wolf Birk .... production manager
 
Second Unit Director or Assistant Director
Tony Brandt .... assistant director
 
Art Department
Erwin Rauch .... property master
 
Camera and Electrical Department
Matija Brgles .... assistant camera
Gino Conversi .... assistant camera
Brigitte Dittner .... publicity photographer
Rudi Trninic .... still photographer
 
Costume and Wardrobe Department
Giulio Cabras .... costumes
 
Music Department
Carlo Savina .... conductor
 
Other crew
Harry Dittner .... publicist
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
"Dog Eat Dog!" - USA (promotional title)
"Dollars Girl" - Belgium (English title) (dubbed version)
See more »
Runtime:
84 min | West Germany:78 min
Language:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Portugal:17 | UK:X (heavily cut) | West Germany:18 (nf)

Did You Know?

Trivia:
Ray Nazarro is credited as director in official Italian and UK records, because it was not changed when the Production company sold the project. He did not start filming, and his name was not credited on screen: the German version was credited to Gustav Gavrin, and the English dubbed version, with a different cut and shorter, was credited to Richard E. Cunha.See more »
Quotes:
Darlene:I'd rather have fresh panties in Teaneck, New Jersey.See more »
Movie Connections:
Spoofs Sunset Blvd. (1950)See more »

FAQ

This FAQ is empty. Add the first question.
3 out of 3 people found the following review useful.
Underrated Sixties Noir, 23 April 2010
Author: R C from United States

All of the critical scorn directed at Dog Eat Dog is rather perplexing, since it's a tense, starkly photographed, bleak and sleazy shot of cool 60s crime melodrama.

Dog Eat Dog is similar in its strange look and feel to Roman Polanski's Cul-de-Sac (there's even a bald creep who resembles Donald Pleasence), but with a more straightforward hard boiled edge and noirish dialogue, with Cameron Mitchell cynically dubbing Jayne Mansfield's breasts her "double indemnity".

Shot in beautiful locations and full of interesting, unusual faces, this is a crazy winner that ought to please fans of Mitchell, Mansfield, or offbeat genre films and black comedies generally. Mitchell even gets to go nuts and tear apart a whorehouse, yelling incoherently about money and gasoline. Really, what could be better?

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