7.4/10
2,598
14 user 18 critic

Black God, White Devil (1964)

Deus e o Diabo na Terra do Sol (original title)
Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »

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Cast

Cast overview:
Geraldo Del Rey ...
Manuel
Yoná Magalhães ...
Rosa
Othon Bastos ...
Corisco
Maurício do Valle ...
Lidio Silva ...
Sebastião
Sonia Dos Humildes ...
Dadá
João Gama ...
Priest
Antônio Pinto ...
Colonel
Milton Rosa ...
Moraes (as Milton Roda)
Roque Santos ...
(as Roque)
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Storyline

Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of common rural worker Manuel into a life of crime, joining the gang of Antonio's sworn enemy, Corisco the Blond Devil (Othon Bastos), and the Pedra Bonita Massacre. Written by Cristian Redferne <Harlock@prodigy.com>

Plot Summary | Add Synopsis


Certificate:

18 | See all certifications »
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Details

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Release Date:

10 July 1964 (Brazil)  »

Also Known As:

Black God, White Devil  »

Filming Locations:

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Company Credits

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Technical Specs

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

In the scene where we see Manuel (Geraldo Del Rey) carrying a huge stone over his head while climbing Monte Santo on his knees, Del Rey insisted on carrying a real stone that weighted over 20 kilos - something that really worried director Glauber Rocha. After the shooting, Del Rey had to take 2 days off, as he wasn't in condition to show up. See more »

Quotes

Corisco: Here's my rifle to save the poor from starving.
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Connections

Referenced in Garotas do ABC (2003) See more »

Soundtracks

Antônio das Mortes
Written by Glauber Rocha & Sérgio Ricardo
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User Reviews

 
Starts off great, but...
27 January 2005 | by (United States) – See all my reviews

This film begins wonderfully, brilliantly shot and keenly acted- but right as you're sure it's coming to a close, the music suddenly runs uptempo and the narrator says the equivalent of "Wait, there's more!" and the second segment of the film destroys any credibility the first might have established. The director's portrayal of the desert's harshness lends logically to the lunacy of the characters- but Rosa's actions in the second half seem completely unmotivated, as if the actors ran out of script and just start making things up out of boredom in front of the camera. Laudable attempts at Eisenstein-style multiple-repeat editing are a good idea but using them to cover the low-budget nature of the action scenes is not. Overall worth seeing, but I must warn you that I fell asleep towards the end.


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