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Black God, White Devil (1964)
"Deus e o Diabo na Terra do Sol" (original title)

7.4
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Ratings: 7.4/10 from 2,177 users  
Reviews: 13 user | 15 critic

Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »

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Title: Black God, White Devil (1964)

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Cast

Cast overview:
Geraldo Del Rey ...
Manuel
Yoná Magalhães ...
Rosa
Othon Bastos ...
Corisco
Maurício do Valle ...
Lidio Silva ...
Sebastião
Sonia Dos Humildes ...
Dadá
João Gama ...
Priest
Antônio Pinto ...
Colonel
Milton Rosa ...
Moraes (as Milton Roda)
Roque Santos ...
(as Roque)
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Storyline

Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of common rural worker Manuel into a life of crime, joining the gang of Antonio's sworn enemy, Corisco the Blond Devil (Othon Bastos), and the Pedra Bonita Massacre. Written by Cristian Redferne <Harlock@prodigy.com>

Plot Summary | Add Synopsis


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Details

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Release Date:

10 July 1964 (Brazil)  »

Also Known As:

Black God, White Devil  »

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Technical Specs

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Othon Bastos did three voices for the movie. Besides dubbing himself as Corisco, he did the voice for Lampião (whom Corisco had "incorporated) and he also dubbed Sebastião, the black God - although Lídio Silva played the character on screen. See more »

Quotes

Corisco: Here's my rifle to save the poor from starving.
See more »

Connections

Featured in Glauber o Filme, Labirinto do Brasil (2003) See more »

Soundtracks

A Procura
Written by Glauber Rocha & Sérgio Ricardo
See more »

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User Reviews

A great piece of art
15 June 2004 | by (Ribeirão Preto, Brazil) – See all my reviews

Deus e o Diabo na Terra do Sol isn't just a good Brazilian movie. This is an actual masterpiece, compared to the big ones in the history of cinema. It's not a boring and too regional film, but deals with universal aspects of human nature, such as blind devotion, love, hate, and all kinds of misery. Glauber Rocha, with only 22 years, made a mix of Eisenstein, Italian neo-realism and nouvelle-vague, under a background of cordel literature (our pulp fictions). The Mauricio do Valle character, Antonio das Mortes, is fundamentally a European western anti-hero, and certainly inspired Leone, Corbucci and others in the development of their scripts. The soundtrack, with Villa Lobbos and Rocha&Ricardo songs, matches perfectly with the dry landscape of the Brazilian Northeast. In short, Deus e o Diabo na Terra do Sol must be known. If you have open mind and like great cinema, and not just the popcorn no-brain north-American blockbusters, try this one.


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