Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the ... See full summary »
A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly ... See full summary »
Max von Sydow
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, ... See full summary »
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let... See full summary »
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the plant manager, Ugo, is mentally ill, hiding it from her husband as best she can. She meets Zeller, an engineer en route to Patagonia to set up a factory. He pursues her, they join friends for a dinner party of sexual play, then, while Ugo is away on business, she fears that her son has polio. When she discovers the boy is faking, she goes to Zeller, panicked that no one needs her. He takes advantage of her distress, and she is again alone and ill. Written by
Richard Harris agreed to star in Sam Peckinpah's Major Dundee (1965) in December 1963 whilst still in the middle of making this film. Harris walked off Michelangelo Antonioni's film as it went further behind schedule to ensure that he did not miss Major Dundee's start date of 5 February 1964. Harris said that Red Desert (1964) had to be completed without him and a double was used for his character in some of the long shots. See more »
I feel my eyes tearing up. What should I do with my eyes? What should I watch?
You ask what you should watch. I ask how I should live. It's the same thing.
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Red Desert is a beautifully shot film about that ever-modern problem of alienation in the face of progress. Michelangelo Antonioni is as interested in obscuring images as he is capturing them: he periodically drifts his action out of focus, and in one of the film's most masterful scenes, places a dense layer of fog between his principals and his camera, fading them into just barely visible silhouettes. Antonioni also demonstrates a masterful command of color: his stark yellows and reds jump out from his gloomy grey world with all the menace of a poisonous animal. As the film reaches its climax, it becomes increasingly dissonant and disorienting--in all the best ways, of course. Red Desert is a great film; it captures the common angst of modernity with an uncommon mastery of Mise-en-scène and cinematography.
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