Il deserto rosso (1964)

User Rating:

7.7/10   

Director:

Michelangelo Antonioni

Writers:

Michelangelo Antonioni (writer) &
Tonino Guerra (writer)

Release Date:

8 February 1965 (USA)

Genre:

Drama

Plot:

Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags...

Plot Keywords:

Factory | Ship | Bright Color | Cult Director | Extramarital Affair

Awards:

4 wins

Cast

Monica Vitti	...	Giuliana
Richard Harris	...	Corrado Zeller
Carlo Chionetti	...	Ugo
Xenia Valderi	...	Linda
Rita Renoir	...	Emilia
Lili Rheims	...	Telescope operator's wife
Aldo Grotti	...	Max
Valerio Bartoleschi	...	Giuliana's son
Emanuela Paola Carboni	...	Girl in fable
Bruno Borghi
Beppe Conti
Julio Cotignoli
Giovanni Lolli
Hiram Mino Madonia
Giuliano Missirini	...	Radio telescope operator

Also Known As:

Le désert rouge (France)
Red Desert (USA)

Runtime:

120 min

Country:

Italy | France

Language:

Italian

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Australia:PG | Italy:VM14 | Argentina:16 | Singapore:PG | Finland:K-16 | UK:15 (video rating) (1995) | UK:X (original rating)

Filming Locations:

Incir De Paolis Studios, Rome, Lazio, Italy

Company:

Film Duemila

Trivia:

David Hemmings claims in his autobiography that Richard Harris was kicked off the film after he punched Antonioni and that the scenes that were still to be completed were done with another actor who was photographed from behind. Hemmings was apparently told this when Harris warned him about Antonioni when Hemmings was working on Blowup (1966).

Quotes:

Giuliana: I feel my eyes tearing up. What should I do with my eyes? What should I watch?
Corrado Zeller: You ask what you should watch. I ask how I should live. It's the same thing.

Movie Connections:

Referenced in Nostalghia (1983)

Colour, light, vision, motion

Thirty-five years later, this film is amazing for many reasons, mostly perhaps for Antonioni's daring, bold, unique and amazing sense of colour. Great performances all around, great camera work, soundtrack - it's perfect. The theme is one that Antonioni has explored since his very first film: emotional, physical and historical alienation. Those who know the work of the artist Giorgio Morandi will find many similarities in the colour schemes and how Antonioni frames each shot. A rewarding, astonishing and visionary film in every sense.