Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the ... See full summary »
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
Anna Maria Ferrero,
Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the plant manager, Ugo, is mentally ill, hiding it from her husband as best she can. She meets Zeller, an engineer en route to Patagonia to set up a factory. He pursues her, they join friends for a dinner party of sexual play, then, while Ugo is away on business, she fears that her son has polio. When she discovers the boy is faking, she goes to Zeller, panicked that no one needs her. He takes advantage of her distress, and she is again alone and ill. Written by
Richard Harris agreed to star in Sam Peckinpah's Major Dundee (1965) in December 1963 whilst still in the middle of making this film. Harris walked off Michelangelo Antonioni's film as it went further behind schedule to ensure that he did not miss Major Dundee's start date of 5 February 1964. Harris said that Red Desert (1964) had to be completed without him and a double was used for his character in some of the long shots. See more »
[There's something terrible about reality but i don't know what it is]
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If I could, I would deify this film. What most impresses me about a film is exhibited here to the utmost: mood. After this film is done, I feel completely destroyed. If you did not feel alienated from the world around you when you started, you will be by the end. If you were feeling alienated when you started, then you may just be contemplating suicide when the film ends. This mood is absolutely crushing. It affects me more than any other film, with some exceptions that are equal with it - 2001, Persona, The Passion of Joan of Arc, and maybe a couple of others that I can't think of offhand. Red Desert is a perfect film. If anything else, at least one must be able to appreciate the masterful visual composition. If you're dismissing this film, you're really missing something. 10/10
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