Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
Anna Maria Ferrero,
Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the plant manager, Ugo, is mentally ill, hiding it from her husband as best she can. She meets Zeller, an engineer en route to Patagonia to set up a factory. He pursues her, they join friends for a dinner party of sexual play, then, while Ugo is away on business, she fears that her son has polio. When she discovers the boy is faking, she goes to Zeller, panicked that no one needs her. He takes advantage of her distress, and she is again alone and ill. Written by
The audio commentary for the BFI DVD states that Richard Harris walked off the film after an argument with Michelangelo Antonioni who had told him to walk diagonally across a yard. Harris asked why, to which Antonioni answered, "You don't ask me why, you're an actor. You just do it." The film was behind schedule at this stage and Harris was due to start work soon on Major Dunee. This and his argument with Antonioni were probably what led him to walk off the film. See more »
I feel my eyes tearing up. What should I do with my eyes? What should I watch?
You ask what you should watch. I ask how I should live. It's the same thing.
See more »
Does everybody have a film that is their template for how they view 'reality'?
I first saw this remarkable movie when I was about eighteen/nineteen, when it first showed in London. At the time I was blown away and must have bored people at parties for ages telling them it was the greatest film ever made and that they should all see it. As now I was less able to give a particularly coherent reason why they would enjoy it but could only pass on my enthusiasm. Watching it again today, it is not only amazing how much I remembered (not at all common for me) or that I still found it captivating and all involving but something else. Many have spoken of the use of colour and sound and referred to the polluting factories and the grey wasteland but what struck me was that the profound and lasting affect it had clearly had upon me. As I watched the film unfold with the juxtaposition of trees, wasteland and alienated characters, I saw before me the template for the way I still tend to view life and most certainly take photographs. For what it is worth then, this film appears to have been the very basis for the way I see the world. An astonishing claim and it has made me wonder at the power of cinema itself. Does everybody have a film that is their template for how they view 'reality'?
46 of 59 people found this review helpful.
Was this review helpful to you?