The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
A piano teacher believes that her fiancé, a cellist, was killed on the battlefield. When he returns alive, they marry, but are menaced and threatened by a wealthy, egotistical composer she started dating on the rebound.
A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ... See full summary »
Olivia de Havilland,
After the funeral of her brother-in-law, Edith Phillips learns that Margaret de Lorca, her rich twin sister, had tricked her way into marriage with the man she also loved. So she kills Margaret and assumes her identity and life-style. However, her life becomes complicated by her late sister's sleazy boyfriend, Tony Collins and Sgt. Jim Hobbson, a Los Angeles detective who loved the "dead" Edith. Written by
A "film noir", excellent from beginning to end. There are no superfluities or lacks of any kind, perfect balance of all the elements. It isn't as haunting and lurid as "Baby Jane", but the same kind of movie depicting an inhuman world in which everyone is against everyone. It is so well done, it rises to the level of art. Intense esthetic satisfaction, very organically sound. It's a real masterpiece. Even the music is masterful. The dialogue is sparse and effective, the cinematography stylish without being overbearing or tacky. Far more stylish and polished than "Whatever happened to Baby Jane", which tended to sprawl in a narrative sense. Both films are `guilty pleasures' with plenty of dark humor, not the least of which being Karl Malden holding a torch for elderly Bette!!! Malden is superb, as usual. The final twist of the plot is breath-taking in its subtlety and philosophical implications.
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