A journalist takes a bet that he can spend the night in a haunted castle on All Hallow's Eve. During his stay, he bears witness to the castle's gruesome past coming to life before him, and falls in with a beautiful female ghost.
At the end of the 19th century, in a little Italian village by a lake an old statue is recovered. Soon a series of crimes start and the superstitious people of the village believe that the ... See full summary »
An attorney arrives at a castle to settle the estate of its recently deceased owner. The owner's wife and daughter reveal that he was someone who was able to summon the souls of ancient ... See full summary »
In a 15th-century feudal village, a woman is accused of witchcraft and put to death. Her beautiful older daughter knows the real reason for the execution lies in the lord's sexual desire ... See full summary »
In 19th century Holland, a professor of fine arts and an unlicensed surgeon run a secret lab where the professor's ill daughter receives blood-transfusions from kidnapped female victims who posthumously become macabre art.
A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant. Only the girl's brother and a handsome doctor stand in her way.
The corpses are piling up at St. Hilda's School for Girls, leaving top cop Michael Rennie with more than the usual suspects. Is the killer Mark Damon? Peeping Tom Luciano Pigozzi? Or ... See full summary »
A writer accepts a bet that he cannot spend the night alone in a haunted castle on All Soul's Eve. Once night falls at the castle, several who had been murdered therein return to life, reliving their deaths and seeking to kill the writer for his blood in a vain attempt to stay alive beyond that one night. Barbara Steele, as one of the living dead, tries to aid his escape from the castle. Written by
Dean Harris <email@example.com>
Sergio Corbucci began filming but Antonio Margheriti took over after one week and signed the movie. See more »
Alan is supposed to be fatally impaled by a spike (which is what we see in close-up), but the spike in the swinging gate could only hit him tangentially. His body remains upright but there is no embedded spike to provide the necessary support. (In any case a supporting spike would need to be not in the gate but in the railing behind him.) See more »
I have never seen a Barbara Steele movie that I haven't liked, and have always been a sucker for a good haunted-house story (especially for such wonderful pictures as "The Legend of Hell House" and the original versions of "The Haunting" and "House on Haunted Hill"), so I had a feeling that "Castle of Blood" would be right up my alley. And boy, was it ever! This French-Italian coproduction, while perhaps not the classic that Steele's first horror film, "Black Sunday," remains to this day, is nevertheless an extremely atmospheric, chilling entry in the spook genre. Filmed in black and white, it manages to convey a genuinely creepy miasma. The film concerns a journalist who bets one Lord Blackwood and an author named Edgar Allen Poe that he can spend the night in Blackwood's castle on the night of All Saints Day, when the spirits of those killed in the castle reenact their fate. The viewer gets to see these deaths, and they ARE pretty horrible, for the most part. The film does indeed send shivers up the viewer's spine, and in the uncut DVD that I just watched--thanks to the fine folks at Synapse--even features a surprising topless scene and some mild lesbianism! And Barbara is wonderful in this movie; her otherworldly beauty is put to good advantage playing a sympathetic spectre. Her mere presence turns a creepy ghost story into something truly memorable. Not for nothing has she been called "The Queen of Horror."
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