When the government agency fails to deliver even the meager supplies due by treaty to the proud Cheyenne tribe in their barren desert reserve, the starving Indians have taken more abuse ... See full summary »
A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Scotland Yard Inspector George Gideon starts his day off on the wrong foot when he gets a traffic-violation ticket from a young police officer. From there, his 'typical day" consists in ... See full summary »
When her husband dies en route to America, Martha Price and her daughter Hilary are left to carry out his dream: the introduction of Hereford cattle into the American West. They enlist Sam ... See full summary »
Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest a very old-fashioned, traditional fellow for assault... See full summary »
When the government agency fails to deliver even the meager supplies due by treaty to the proud Cheyenne tribe in their barren desert reserve, the starving Indians have taken more abuse than it's worth and break it too by embarking on a 1,500 miles journey back to their ancestral hunting grounds. US Cavalry Capt. Thomas Archer is charged with their retrieval, but during the hunt grows to respect their noble courage, and decides to help them. Written by
About a third of the way through the movie, when the "white" guys charge the Indians, their charge takes them across virgin sand. Except for the track of what is clearly a modern car (tread marks clearly visible) across their path. See more »
Listen to me, Miss Wright. You're a Quaker and you're dedicated to self-sacrifice. Well, I'm dedicated to self-preservation. You know, you want me to go out there, don't you? Yeah, and take me future, me career and me pension... and throw it down the drain. Is that what you want, huh? Yeah, well... that's exactly what I'm going to do.
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This film is the perfect counterpoint to early John Ford films such as Stagecoach. In Stagecoach every indian was painted as a bloodthirsty savage, out to menace all of the civilized folk. Cheyenne Autumn, on the other hand is a very revealing film... behind it all you can almost feel John Ford questioning himself and his previous views on American history. In this film it is the US soldiers who are painted as the brutal savages, and the indians are the civilized folk. It's amazing to see Ford, who practically built his career glorifying the chivalry of the western hero, do a complete 360 to end up de-glorifying it. I have the feeling that this was a very personal film for Ford and in that light it really does make him one of the great auteurs of cinema.
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