Rocco and his female accomplice, Angèle hijack a truck from a trucking company in the Saharan desert. The head of the trucking company, Castigliano hires Rocco's friend, Hervé and a newly ... See full summary »
In June 1940, during the Dunkirk evacuation of Allied troops to England, French sergeant Julien Maillat and his men debate whether to evacuate to Britain or stay and fight the German troops that are closing-in from all directions.
Albert is an inn owner who vowed never to drink again if he and his wife survived the war. They did, and the reformed alcoholic keeps his vow. But times have changed and soon after the war,... See full summary »
In Paris around 1900, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a ... See full summary »
L'Alpagueur is a free-lance spy from the French secret agency. He's put on the investigation about L'epervier, a serial-killer who employs young boys to help him robbing banks before ... See full summary »
Tony Maréchal is a professional seducer. Having conquered countless women, proclaims that there is none that can resist his charm. To prove this makes a difficult challenge: to seduce baroness Minna von Strasshofer.
Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a ... See full summary »
Delightfully funny movie, made precious by Francoise Dorleac
"La chasse a l'homme" is a delightfully funny movie, made with remarkable professionalism and accuracy by Edouard Molinaro, a director hugely gifted for comedies. The story revolves around various love/adulterine/sexy affairs, with an array of extremely comic situations. The brilliant dialogue is written with outstanding care. Much fun is based on a good-natured satire of the French cultural fashion-mania of that epoch: Existentialism, leftist "rive gauche" ideology, Sartre, Juliette Greco and so on. The cinematography is excellent, even too much for this sort of light-minded film. In fact, it seems to be an amiable mocking of the "nouvelle vague" style, another cultural icon of the early 1960s.
The audience is gratified with the dazzling beauty of 21-years-old Catherine Deneuve, at the start of her career, in a minor but remarkably sexy role. The whole cast makes an outstanding job. Jean-Claude Brialy and Claude Rich are wonderful. A young soon-to-be-superstar Jean Paul Belmondo is excellent in his trade-mark role of the nice rascal. Look at the nod he makes to invite the aged rich woman to sit down at his table, in the Greek tavern: how could a guy be nicer than Belmondo?
The first part of the film is perhaps the funniest, with a sequence of weird flashbacks to introduce the characters. But the second part is made precious by the presence of sweet Francoise Dorleac. I have a very soft eye for that poor girl. She has not the perfect beauty of her sister Catherine Deneuve, but, in my opinion, she is one of the most appealing women to have graced the screen. There she is: beautiful, nice and keen, charming, sweet, lovely, incredibly attractive and sexy (look at her eyes!), and so much talented, really a born-to-act girl. It is heart-breaking to see Francoise on the screen (always on the verge of falling in love with her...), meanwhile knowing that she was killed in a terrible car accident, at age twenty-five.
Well, that is "La chasse a l'homme": a little masterpiece, plus the jewel Francoise Dorleac.
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