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Charulata (1964)

 -  Drama | Romance  -  17 April 1964 (India)
8.2
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Ratings: 8.2/10 from 2,339 users  
Reviews: 22 user | 64 critic

The lonely wife of a newspaper editor falls in love with her visiting cousin-in-law, who shares her love for literature.

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(from the story "Nastaneer"), (scenario), 1 more credit »
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Title: Charulata (1964)

Charulata (1964) on IMDb 8.2/10

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Cast

Complete credited cast:
...
Amal
Madhabi Mukherjee ...
Charulata
Shailen Mukherjee ...
Bhupati Dutta (as Sailen Mukherjee)
Rest of cast listed alphabetically:
Tarapada Basu
Gopaldas Bhattacharya
Dilip Bose ...
Shashanka
Ramesh Chandra Chandra
Sunilkanta Dasgupta
Nilotpal Dey ...
Joydeb
Bankim Ghosh ...
Jagannath
Shyamal Ghoshal ...
Umapada
Ajit Gupta
Bholanath Koyal ...
Braja
Kamu Mukherjee
Suku Mukherjee ...
Nishikanta
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Storyline

Charu lives a lonely and idle life in 1870s India. Although her husband Bhupati devotes more time to his newspaper than to their marriage, he sees her loneliness and asks his brother-in-law,Umapada to keep her company. At the same time Bhupati's own brother, Amal, a would-be writer comes home finishing his college education. However, after several months, Charu and Amal's feelings for each other move beyond literary friendship. Written by Erik Gregersen <erik@astro.asutexas.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

17 April 1964 (India)  »

Also Known As:

Charulata  »

Box Office

Gross:

$77,820 (USA)
 »

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Connections

Referenced in The Darjeeling Limited (2007) See more »

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User Reviews

 
Absolute perfection
20 June 1999 | by (London, England) – See all my reviews

As cinema appears to become ever more loud and brash, a work as delicate, subtle and understated as this may easily pass unnoticed, or mistaken as insipid. That is a great shame, since this is obviously a great masterpiece. Set in India in the last century, Charulata is trapped in a dull, stifling marriage. What starts off as innocent flirting with her brother-in-law soon sets off emotions that none of them, decent though they all are, can really control. There is no adultery as such - the betrayal is all in the mind - but the trust implicit in marriage is broken, and the future can only be faced with uncertainty.

This is a film of great grace and elegance, and also of considerable wit. But underneath the surface charm is a great seriousness. As always, Ray depicts the development of the characters with great insight and sensitivity, and coaxes fine performances from his cast. Western critics, in discussing this film, often draw parallels with the works of Chekhov or of Henry James, but Ray's inspiration was actually the great Bengali writer Rabindranath Tagore, on whose short novel this film was based. As a piece of film-making, it is absolute perfection - a real gem.


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