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10 out of 10 people found the following review useful:
One of the Great TV Dramas, 21 June 2003
Author:
treagan-2 from San Francisco
When I saw this when I was in high school, I remember my hair curling. I
remember there were threats of boycotts and protests against the politics of
this work, which really express just basic humanitarianism, with some
liberal fear of nuclear destruction.
Three memories of this production: James Shigeta, playing a doctor in
post-nuclear Hiroshima, answers the Scrooge character's (Sterling Hayden)
cliched comment about nuclear-damaged girls (singing, with cloth over their
scarred faces). Scrooge says, `Well, at least their children will not face
this horror." Shigeta answers: "Children?! These girls?!"
The second is Pat Hingle eating the massive chicken leg, with barbed wired
keeping out silent, wraith-like, starving refugees. Scrooge: "How can you
sit there and eat like that, when these people are starving?" Hingle: "Oh,
do they bother you?" And he snaps his fingers and the lights go out, and the
refugees disappear. "Feel better?" asks Hingle, taking another chomp out of
the turkey leg.
The third is Peter Sellers as "The Imperial Me," a deranged leader of a
deranged sect meeting in a post-nuclear bombed-out church. Sellers' turn is
both hilarious and disturbing, working the followers (all with Mickey Mouse
Club-like shirts that say "Me") into a frenzy.
The teleplay is crammed with earnest, liberal good intentions. But why
weren't there a lot more of this kind of artistic effort on television? (I
recall a second UN/Xerox special, with Theo Bikel playing a leader of
refugees on a ship, but it wasn't nearly as good).
Political and marketing restrictions cost us dearly when more efforts like
"Carol for Another Christmas" were not made.
9 out of 9 people found the following review useful:
Skip the message, savour the performances, 5 February 2003
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Author:
F Gwynplaine MacIntyre from Minffordd, North Wales
*** This review may contain spoilers ***
'Carol for Another Christmas' features a teleplay by Rod Serling at his
most dead-earnest. As often happened with this controversial writer,
Serling's script ran afoul of network censors who insisted on major
changes ... inevitably making the material much more innocuous.
Astonishingly, 'Carol for Another Christmas' manages to be an
entertaining drama anyway, well-directed (by old pro Joe Mankiewicz)
with a first-rate cast.
The story is a blatant reworking of Dickens's 'A Christmas Carol',
modernised and addressing the concerns of Americans in the 1960s: a
fairly original idea when Serling did it. But in the years from 1964 to
the present there have been dozens of rip-offs of Dickens's tale (such
as the wretched movie 'Scrooged') ... so, from a 21st-century
viewpoint, 'Carol for Another Christmas' suffers because it's now one
of many, many, MANY reworkings of Dickens's source material.
Fortunately, Serling manages sporadically to improve upon the original.
For example, this story has no annoying little Tiny Tim character.
In Serling's original script, the main character in 'Carol for Another
Christmas' was an embittered industrialist named Barnaby Grudge. This
is clearly a Dickensian pun, but Serling also meant it as a pun on 'B.
Grudge'... because Grudge begrudges charity to people less fortunate
than himself. Television executives insisted that Serling must change
this character's name; they were certain that 'Barnaby Grudge' would be
perceived as a thinly-disguised attack on Presidential candidate Barry
Goldwater (same initials). Serling changed the character's name to
Daniel Grudge, and Sterling Hayden gives a standout performance in the
lead role as Grudge, the surrogate Scrooge.
After some surly dialogue with his black servants Charles and Ruby, and
an argument with his nephew (Ben Gazzara, giving the worst performance
hereabouts), Grudge gets some unwanted advice from a surrogate Marley,
and then the story proper begins ... with Grudge getting a look at the
state of humanity in Christmases past, present and future. (Rod
Serling's birthday was 25th December, and he had a traumatic experience
on Christmas Day during his wartime hitch as a paratrooper ... I wonder
if either of those facts helped inspire this story. I also wonder if
the title of this script was a pun on the name of Rod Serling's wife:
Carol.)
Grudge's escort to the past is a World War One doughboy, extremely
well-played by Steve Lawrence ... yes, the singer who married Eydie
Gorme. Steve Lawrence was a very talented actor who seldom got material
worthy of his talents: he gives a fine performance here, with some of
the best dialogue Rod Serling ever wrote. (I'm a Serling fan, but
plausible dialogue was always thin on the ground in Rod Serling's
universe.) Lawrence brings Grudge to Japan on Christmas Day 1945, where
a Japanese doctor and a U.S. WAVE are trying to help Japanese children
who were caught in an American bombing raid. (There does seem to be an
unfortunate 'blame America' tone here.)
The Ghost of Christmas Present is well-played by the excellent Pat
Hingle, an actor who never achieved the stardom he deserved. Grudge
finds the stocky Hingle gorging himself on food at a banquet table,
while nearby Third World children starve behind a fence. Hingle invites
Grudge to join him: Grudge is willing to eat, but not with those
starving children watching him. The fact that those children ARE
starving does not particularly disturb him.
Next stop, the future: with the flash of an atomic bomb, Grudge finds
himself in the darkness and rubble which are all that remains after
World War Three. These are (intentionally) the most disturbing scenes
in the drama. What sort of war was this, Grudge wonders? 'A dandy',
replies Robert Shaw in a lacklustre performance as the Ghost of
Christmas Future. Civilisation was destroyed in the nuclear war, but
now one man is trying to inspire the survivors to rebuild the world ...
namely, as a dictatorship with himself as the leader. Peter Sellers
gives a fascinating performance (with an American accent, better than
the one he used in 'Dr Strangelove') as a dictator named Imperial Me.
Unfortunately, Sellers seems to be acting in a completely different
movie from everyone else. (Which sums up much of his life and career.)
SPOILERS NOW. The character arc of 'Carol for Another Christmas'
follows Dickens's novel very closely, so it's no surprise that
Grudge/Scrooge ultimately returns to his mansion in the present, where
he now sees the error of his ways and he repents. But I found the last
scene very annoying and simplistic. As proof that Grudge has reformed,
we see him humbling himself by eating breakfast in the kitchen with his
black servants. Surely it would be more honest and more ennobling to
show Grudge inviting his servants to join him for breakfast in his posh
dining room. And the three of them could do the washing-up together.
Like so many other liberals, Serling seems more interested in bringing
down the mighty rather than uplifting the lowly.
'Carol for Another Christmas' occasionally sinks into knee-jerk
liberalism or America-bashing, but this TV movie's good points very
much outweigh and outnumber its bad points. I'll rate this story 10
points out of 10. God bless us, every one.
9 out of 9 people found the following review useful:
A Christmas Carol that may not translate to the 21st Century, 13 May 2001
Author:
btimmer from South Pasadena, CA
The Museum of Television and Radio owns a copy of this film written by Rod
Serling and only shown once on television.
Part of its financing came from the United Nations and the theme of the
film
is more about international cooperation than simply being
anti-war.
Sterling Hayden portrays a wealthy man who served in the Navy during World
War II and is now a lonely bitter man upset over his son's death in a war
he
described as needless, presumably in Korea. Hayden is now an
isolationist.
The three ghosts think their job is to make Hayden's character more of an
internationalist and more willing to accept U.S. involvement in
organizations like the United Nations. Coming right before the U.S.
racheted
up its involvement in Vietnam, it is easy to understand why this film
didn't
get shown again.
The visit from the Ghost of Christmas Future (Robert Shaw) is the most
frightening part of the film. He shows Hayden a post nuclear apoclaypse
world run by a weird character called the Imperial Me (Peter Sellers).
Sellers is quite effective.
It's an interesting film, but you have to take it in its context. If you
are
a big Rod Serling fan, it is worth seeing. If you are not, you might find
the themes in the film delivered in a rather heavy-handed
manner.
6 out of 6 people found the following review useful:
Incomparably great TV drama, 12 November 2002
Author:
treagan-2 from San Francisco
This has to be one of the greatest one-time only dramas ever presented on
TV. I remember it vividly from its original broadcast: a venal Pat
Hingle
devouring a huge turkey leg surrounded by starving refugees; the sweet
voices coming from little girls scarred by the atomic blast at Hiroshima,
their faces covered with gauze; the demented "Imperial Me" Peter Sellars
addressing his crazed flock in a burned out cathedral after the nuclear
holocaust of the future; Sterling Hayden, a modern Scrooge, his voice
changing from booming commands to whimpering as he is led past the
succession of proof of man's inhumanity to man.
I saw this again at the Museum of Broadcasting in NYC and I was not
disappointed. This is the lost world of thoughtful, creative TV drama,
and
what a loss it is to us all.
6 out of 6 people found the following review useful:
A great film, 9 August 2001
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Author:
ozman from Portland, Oregon
I actually saw this unique film on its one and only broadcast. I was in high school at the time and was very impressed. As a fan of The Twilight Zone, I never missed anything by Rod Serling. Not much detail sticks in my mind after 35 years, but I would enjoy an opportunity to see it again
4 out of 4 people found the following review useful:
This Cold-War era Christmas Carol is the scariest of all., 15 September 1999
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Author:
Brad Wright-Hulett from Atlanta, Georgia
It is my understanding that Rod Serling's Carol for Another Christmas was
only shown once, and the print is now owned by one of the schools of
filmmaking.
This is a tale of the Cold War. In 1964 the Cuban Missile Crisis was
still
fresh. My neighbor in west Texas dug out his back yard to install a bomb
shelter. Duck and cover drills were practiced by school children so they
would be prepared for a nuclear blast. Rod Serling (writer of the
Twilight
Zone series) wonders what the Christmas Carol would have been like if
Scrooge lived in this world.
Even though I was quite young at the time this show played there are
scenes
that I can remember clearly. The Scrooge character has been shown the
devastation of the world of the future. He suffers great fear and wants
to
escape. He tries to climb a stylized wire fence But there is nowhere to
go.
The only things around are sparse, sterile ruins of a destroyed
civilization. I wish I remembered how he resolved his conflict.
1 out of 1 people found the following review useful:
I me mine, 7 November 2009
Author:
dbdumonteil
Made just after the financial disaster of "Cleopatra" -one of the most
unfairly underrated movies of all time,at least in its four-hour
version-by Mankiewicz.It's an updated Dickens' "a Xmas carol" with a
"modern " uncle Scroodge ;one can notice that the "don't be
selfish,open up,don't get caught up in the "me" machine was also
treated by Frank Capra in his (certainly more palatable) "it's a
wonderful life" .
This is a movie which concerns today's audience ,in spite of its dated
details ;more than ever we must help our fellow men and not hide our
heads in the sand even when we feel like letting everything down.When
the second ghost talks about the hungry people in the world,he's
speaking to all of us;it's not surprising that the only man who rebels
against the Imperial Me is a black man (and his wife).There's a stellar
cast featuring Sterling Hayden as the lead and Eva Marie-Saint,Robert
Shaw,Ben Gazarra as the nephew ,Peter Sellers and more ...
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