Presented without commercial interruptions, this "United Nations Special" was sponsored by the Xerox Corporation, the first of a series of Xerox specials promoting the UN. Director Joseph ... See full summary »
In this comedy, set during the Nazi occupation of France, Peter Sellers plays most major male parts, so he stars in nearly every scene, always bumbling in inspector Clouseau-style. As ... See full summary »
A pirate crewman kills his captain after learning where he has hidden his buried treasure. However, as he begins to lose his memory, he relies more and more on the ghost of the man he just ... See full summary »
During D-day several people become trapped while hiding in a bunker, when heavy shelling collapses it. They have plenty of food and water so they decide to wait for rescuers. And so they wait year, after year, after year.
Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his ... See full summary »
Unsuccessful singing bullfighter Juan arrives in Barcelona to try his luck in a big town. He finally persuades a devious local impresario to book him, but only on the condition that Juan ... See full summary »
A naïve father makes an embarrassing attempt to explain the facts of life to his son, but he becomes increasingly embarrassed to the point where his explanations are so vague as to be incomprehensible.
George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them. When grown daughter Eleanor falls in love with Howard (from New York!), ... See full summary »
Joseph L. Mankiewicz
Presented without commercial interruptions, this "United Nations Special" was sponsored by the Xerox Corporation, the first of a series of Xerox specials promoting the UN. Director Joseph Mankiewicz's first work for television, the 90-minute ABC drama was publicized as having an all-star cast (which meant that names of some supporting cast members were not officially released). In Rod Serling's update of Charles Dickens, industrial tycoon Daniel Grudge has never recovered from the loss of his 22-year-old son Marley, killed in action during Christmas Eve of 1944. The embittered Grudge has only scorn for any American involvement in international affairs. But then the Ghost of Christmas Past takes him back through time to a World War I troopship. Grudge also is visited by the Ghost of Christmas Present, and the Ghost of Christmas Future gives him a tour across a desolate landscape where he sees the ruins of a once-great civilization. Written by
Bhob Stewart <firstname.lastname@example.org>
In Rod Serling's original script, the lead character's name was Barnaby Grudge--i.e., B. Grudge, a play on the word "begrudge". ABC censors thought that viewers would miss that allusion and instead believe the name was chosen as a slap at U.S. Sen. Barry Goldwater, a man associated with nuclear war, and ordered the author to change the character's name. Serling settled on Daniel Grudge. [Serling's original name would also have made more sense, because it is a play on another Dickens novel, "Barnaby Rudge."] See more »
The Andrews Sisters are billed in the closing credits as "The Andrew Sisters". See more »
[the Ghost of Christmas Present gorges himself at a banquet table, while barbed wired keeps out starving refugees]
How can you sit there and eat like that, when these people are starving?
Ghost of Christmas Present:
Oh? Do they bother you?
[he snaps his fingers, the lights go out and the refugees disappear]
Ghost of Christmas Present:
See more »
When I saw this when I was in high school, I remember my hair curling. I remember there were threats of boycotts and protests against the politics of this work, which really express just basic humanitarianism, with some liberal fear of nuclear destruction.
Three memories of this production: James Shigeta, playing a doctor in post-nuclear Hiroshima, answers the Scrooge character's (Sterling Hayden) cliched comment about nuclear-damaged girls (singing, with cloth over their scarred faces). Scrooge says, `Well, at least their children will not face this horror." Shigeta answers: "Children?! These girls?!"
The second is Pat Hingle eating the massive chicken leg, with barbed wired keeping out silent, wraith-like, starving refugees. Scrooge: "How can you sit there and eat like that, when these people are starving?" Hingle: "Oh, do they bother you?" And he snaps his fingers and the lights go out, and the refugees disappear. "Feel better?" asks Hingle, taking another chomp out of the turkey leg.
The third is Peter Sellers as "The Imperial Me," a deranged leader of a deranged sect meeting in a post-nuclear bombed-out church. Sellers' turn is both hilarious and disturbing, working the followers (all with Mickey Mouse Club-like shirts that say "Me") into a frenzy.
The teleplay is crammed with earnest, liberal good intentions. But why weren't there a lot more of this kind of artistic effort on television? (I recall a second UN/Xerox special, with Theo Bikel playing a leader of refugees on a ship, but it wasn't nearly as good).
Political and marketing restrictions cost us dearly when more efforts like "Carol for Another Christmas" were not made.
24 of 27 people found this review helpful.
Was this review helpful to you?