Presented without commercial interruptions, this "United Nations Special" was sponsored by the Xerox Corporation, the first of a series of Xerox specials promoting the UN. Director Joseph ... See full summary »
A shorty, kind, very innocent and efficient locksmith is cheated by a burglar in order to rob a car and to open a safe strongbox. The police catches him and is sent to jail. Once there some... See full summary »
Peter Graham Scott
Nyree Dawn Porter,
This is the end of a glorious military career: General Leo Fitzjohn retires to his Sussex manor where he will write his memoirs. Unfortunately, his private life is a disaster: a confirmed ... See full summary »
Inspired by a performance of his favorite play, "Volpone," 20th-century millionaire Cecil Fox devises an intricate plan to trick three of his former mistresses into believing he is dying. ... See full summary »
Joseph L. Mankiewicz
Presented without commercial interruptions, this "United Nations Special" was sponsored by the Xerox Corporation, the first of a series of Xerox specials promoting the UN. Director Joseph Mankiewicz's first work for television, the 90-minute ABC drama was publicized as having an all-star cast (which meant that names of some supporting cast members were not officially released). In Rod Serling's update of Charles Dickens, industrial tycoon Daniel Grudge has never recovered from the loss of his 22-year-old son Marley, killed in action during Christmas Eve of 1944. The embittered Grudge has only scorn for any American involvement in international affairs. But then the Ghost of Christmas Past takes him back through time to a World War I troopship. Grudge also is visited by the Ghost of Christmas Present, and the Ghost of Christmas Future gives him a tour across a desolate landscape where he sees the ruins of a once-great civilization. Written by
Bhob Stewart <email@example.com>
If Ayn Rand had watched this film when it was first broadcast on American television, she no doubt would have had palpitations. Carol for Another Christmas not only revels in bleeding heart humanism, it also drives a stake through the heart of the Randian philosophy of objectivism. That must have been galling for acolytes of Rand in 1964, but here we are in 2013, and after forty or fifty years of relentless anti-humanist propaganda we now live in a world where the quaint liberalism of Rod Serling has been displaced by - you guessed it - the selfish anti-communitarianism of Ms. Rand. This development would have disgusted the vast majority of Americans in 1964, who would have answered Daniel Grudge's (Sterling Hayden) question to The Ghost of Christmas Future (Robert Shaw) - 'must it be like this?' - in the negative. The ghost, however, doesn't respond - and now, sadly, we know the answer.
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