Whispering Smith was a detective on the Denver, Colorado Police Department in the 1870s. This show took case histories from Smith's adventures. George Romack was Smith's partner and John ... See full summary »
Indian Agent sent to try new approach to peace with Apaches based on respect for automomy rather than submission to Army. Wins over reservation chiefs and the Indian widow (Bancroft) given ... See full summary »
A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ... See full summary »
Lieutenant McAllister is ordered to transport several ammunition wagons to another fort through Apache territory with only a small troop of rookie soldiers to guard them. Along for the ride... See full summary »
A scrappy fighter from Jersey City named Tommy Shea -- "born in a dump, educated in an alley" -- catches the eye of wealthy businessman, Robert Mallinson, who allows him to train at his ... See full summary »
Billy the Kid becomes embroiled in Lincoln County, NM, land wars. When rancher who gave him a break is killed by rival henchman, Billy vows revenge. New employer takes advantage of his ... See full summary »
Thinking he may have caused the death of his commanding officer Captain Daniels in Tunisia, Rocky visits Daniels' widow. She falls for him, he falls for her, she encourages him to go to ... See full summary »
Murphy plays ex-lawman who must strap on the guns again to catch a former nemesis, McGavin, who happens to be the ex husband of Murphy's wife and father of the boy that believes he's Murphy's son. Written by
It was while filming this movie that Alan Hale Jr. got his casting call for Gilligan's Island (1964). He had to ride out of Zions National Park in St. George, Utah on horseback to the highway and hitchhike to Las Vegas to fly out to the interview. See more »
We were friends once, Sam. It's not easy to shoot an old friend.
Friend? That's a long way back, Logan. And I got one big advantage over you. You won't kill me unless you have to. I won't hesitate one second about killing you.
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The last of the Audie Murphy's are the best. The early ones are enough to put anyone off watching Budd Boetticher's work.
"Bullet for a Badman" is solidly crafted and, in the scenes of the posse holding off the "murderin' Pachees" that grizzled old timer Tobias warns about, has an effective set piece. The traveling shot where the riders lift above the moving camera, as they gallop up the ridge, must have gotten a cheer in the theatrical runs.
Murphy's character, the Texas Ranger who retired to look after the wife and child of his jailed chum, Darren McGavin, is too saintly for all but the most gullible but McGavin's study in vengeful, shaded macho is just what the film needs. He's surprisingly plausible in the saddle. The men are nicely chosen and effective, with Springsteen's experience showing in the way they ride and handle weapons, used to build their characters - the best cowboy movie tradition.
The women get by in the scrubbed up manner which undermines these films' pretensions to realism.
The colour is OK but Joe Biroc did a lot better and the score, credited on the film to veteran Skinner, is on the glum side. The use of stunt doubles for the leads is too obvious too.
These Universal westerns were good value once they got a hint of production value, even if this one doesn't compare to the best of the Delmer Daves- John Sturges - Anthony Mann cycle.
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