THIS SUMMARY CONTAINS SPOILERS! Danny is a juvenile delinquent sentenced to Variety Club Ranch in lieu of jail. He charms the headmistress and goads everyone else. The marshal sets out to ... See full summary »
A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ... See full summary »
Audie Murphy comes into his own as a Western star in this story. Wrongly accused by crooked railroad officials of aiding a train heist by his old friends the Daltons, he joins their gang ... See full summary »
During the Korean War, a glory-hunting sergeant leads his platoon on a mission against the enemy--not telling them that a cease-fire has just been declared--so that he can win medals. ... See full summary »
Billy the Kid becomes embroiled in Lincoln County, NM, land wars. When rancher who gave him a break is killed by rival henchman, Billy vows revenge. New employer takes advantage of his ... See full summary »
Murphy plays ex-lawman who must strap on the guns again to catch a former nemesis, McGavin, who happens to be the ex husband of Murphy's wife and father of the boy that believes he's Murphy's son. Written by
It was while filming this movie that Alan Hale Jr. got his casting call for Gilligan's Island (1964). He had to ride out of Zions National Park in St. George, Utah on horseback to the highway and hitchhike to Las Vegas to fly out to the interview. See more »
Oh, I bet you know how to spend your money, Sam.
Well now, I tell you... I've never been able to save any.
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The last of the Audie Murphy's are the best. The early ones are enough to put anyone off watching Budd Boetticher's work.
"Bullet for a Badman" is solidly crafted and, in the scenes of the posse holding off the "murderin' Pachees" that grizzled old timer Tobias warns about, has an effective set piece. The traveling shot where the riders lift above the moving camera, as they gallop up the ridge, must have gotten a cheer in the theatrical runs.
Murphy's character, the Texas Ranger who retired to look after the wife and child of his jailed chum, Darren McGavin, is too saintly for all but the most gullible but McGavin's study in vengeful, shaded macho is just what the film needs. He's surprisingly plausible in the saddle. The men are nicely chosen and effective, with Springsteen's experience showing in the way they ride and handle weapons, used to build their characters - the best cowboy movie tradition.
The women get by in the scrubbed up manner which undermines these films' pretensions to realism.
The colour is OK but Joe Biroc did a lot better and the score, credited on the film to veteran Skinner, is on the glum side. The use of stunt doubles for the leads is too obvious too.
These Universal westerns were good value once they got a hint of production value, even if this one doesn't compare to the best of the Delmer Daves- John Sturges - Anthony Mann cycle.
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