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Bikini Beach (1964)

5.3
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Ratings: 5.3/10 from 832 users  
Reviews: 21 user | 11 critic

A millionaire sets out to prove his theory that his pet chimpanzee is as intelligent as the teenagers who hang out on the local beach, where he is intending to build a retirement home.

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Title: Bikini Beach (1964)

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Cast

Cast overview, first billed only:
...
Frankie / Potato Bug
...
...
Vivien Clements
...
Big Drag
...
John Ashley ...
Johnny
Jody McCrea ...
Candy Johnson ...
Danielle Aubry ...
Lady Bug
...
Delores Wells ...
Sniffles (as Dolores Wells)
Paul Smith ...
Cop #1
James Westerfield ...
Cop #2
...
...
Himself (as Little Stevie Wonder)
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Storyline

Millionaire Harvey Huntington Honeywagon III tries to prove to his colleague Vivian Clements that his chimp, Clyde, is more intelligent than American teenagers. Meanwhile Dee Dee is torn between Frankie and British recording star, the Potato Bug. Eric Von Zipper shows up to aid Harvey's anti-teen campaign. Big Drag shows up with others in a gag bit part. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

It's where the girls are BARE-ing... the guys are DAR-ing and the surf's RARE-ing to GO-GO-GO See more »


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Details

Country:

Language:

Release Date:

22 July 1964 (USA)  »

Also Known As:

A Praia dos Biquínis  »

Box Office

Budget:

$600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Pathécolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Boris Karloff stepped in to replace his late friend Peter Lorre, who had passed away in March 1964, with production wrapped up in May for July release. See more »

Goofs

While Stevie Wonder is performing his song, he can also be seen standing next to Big Drag by the stage. See more »

Quotes

[Eric Von Zipper's motorcycle once again runs away and crashes]
J.D.: You did it again, boss.
Eric Von Zipper: You stupid, fix it!
J.D.: [to another rat pack member] Hey, stupid! Fix it!
See more »

Crazy Credits

Slaves to Mr. Barquet ... Laura Medley Mike Melamed Gary Sax See more »

Connections

References The Evil Eye (1963) See more »

Soundtracks

Record Run
by Gary Usher and Roger Christian
Performed by The Pyramids (uncredited)
See more »

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User Reviews

 
BIKINI BEACH (William Asher, 1964) **1/2
23 July 2008 | by (Naxxar, Malta) – See all my reviews

This sequel to MUSCLE BEACH PARTY (1964) is only slightly better: much of the teen cast returns, as well as Don Rickles (but, having now forsaken muscle-men for drag-strip racing) and even Stevie Wonder. We do get a number of new faces – eminent publisher Keenan Wynn (with a practiced simian in tow, he's intent on demonstrating that the youth of today have regressed to pretty much its primitive state!) and schoolteacher Martha Hyer constituting more or less the normal people (they start out as opponents but gradually come to understand and love one another), Harvey Lembeck as the overage leader of a motorcycle gang called Eric Von Zipper (actually, this character had already featured in BEACH PARTY [1963]: here, he's prone to falling victim, by his own hand, of Peter Lorre's paralysis-by-touch technique seen at the end of the previous film) and Timothy Carey (appearing very briefly as a pool-playing eccentric who has a werewolf, fitted with a leather jacket, for a sidekick!).

There's even a second role for Frankie Avalon – doubling as a legendary mop-top and gap-toothed (essentially a cross between The Beatles and Terry-Thomas!) British singer/racer…and, then, there's that great final gag involving Boris Karloff (seen a couple of times from behind throughout but only revealed at the very end as an art dealer interested in Rickles' abstract collection, quipping that he ought to tell his pal Vincent Price – noted for his taste in fine art and at the time also contracted to AIP – about it!). It's these quasi-surreal elements – including the monkey driving Wynn's car (to the recurring consternation of two traffic cops) as well as a dragster, and even doing a bit of surf…but extending to the final credits as blonde-with-powerful-hips Candy Johnson is joined in her wild dance by an aged member of Wynn's old folks' home! – which render the film that much more enjoyable than its predecessor. Otherwise, we get a lot of the same shtick as before – though the beach scenes themselves are thankfully downplayed here; the climax, then, involves a Keystone Kops-type chase which culminates in yet another gratuitous bit of brawling slapstick (this time occurring at Rickles' pseudo-beatnik joint).

Again, the songs are far from classics but, all in all, the film retains some interest (not least in the contribution of cinematographer Floyd Crosby, production designer Daniel Haller and composer Les Baxter – all of them synonymous with Roger Corman's contemporaneous horror films based on the writings of Edgar Allan Poe!) in particular for characterizing the transition between two trends in youth-oriented pictures i.e. the Juvenile Delinquent films of the 1950s and the Counter-Culture efforts (advocating drug use and Free Love) that would prevail soon after…


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