The filmmakers follow Oliver North's unsuccessful 1994 bid for a Virginia Senate seat, focusing on North's campaign strategist, Mark Goodin, and a Washington Post reporter. Mudslinging ... See full summary »
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
Nell Bowen, the spirited protege of rich Lord Mortimer, becomes interested in the conditions of notorious St. Mary's of Bethlehem Asylum (Bedlam). Encouraged by the Quaker Hannay, she tries... See full summary »
Intellectual William Russell and down-to-earth Joe Cantwell are front runners for a party nomination that will almost certainly mean the Presidency. Cantwell is prepared to use anything to achieve his goal while Russell sees himself as a man of principle - though his philandering means he is relieved his wife is prepared to appear alongside him. Both men crucially need the support of the ailing President, and as the stakes become higher each team has to decide how dirty they are prepared to get. Written by
Jeremy Perkins <firstname.lastname@example.org>
One of the filming locations is the Ambassador Hotel in Los Angeles. In 1968, Robert F. Kennedy was assassinated here during his campaign to win the Democratic Party's nomination for president. See more »
When Joe Cantwell (Cliff Robertson) enters the helicopter he sits in the right seat. When he exits, he exits from the left seat. See more »
A sharp as nails look at US politics, maybe a bit old fashioned, but in a good way, with great performances and writing, and very well put together. It pits the packaged candidate of "the people", a scary Cliff Robertson against the principled liberal played by Henry Fonda, with Lee Tracy as the dying ex-president whose endorsement both vie for. While he favors Robertson for his decisiveness, he fears his utter lack of principles, but can't support the wavering Fonda. Sex, mental illness, shady characters dredged up by political operatives (in this case a great part by Shelley Berman), the fabulous portrayals of both of the wives (especially a cute and dangerous Edie Adams), the film transcends the characters, and hits home as much today as when it came out in 1964.
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