Julio, aged nineteen, has just left the provinces to settle down in the outskirts of Lisbon. He lives there in a poor area with his uncle Afonso and starts working as an apprentice ... See full summary »
Episodes from entire military history of Portugal are told through flashbacks as a professorish soldier recounts them while marching through a Portuguese African colony in 1973. He easily ... See full summary »
Manoel de Oliveira
Luís Miguel Cintra,
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
Inês de Medeiros,
Isaach De Bankolé,
Vicente, seventeen, lives with brother Nino, ten-years-old, and his ailing father in a derelict house on the outskirts of the capital. They don't seem to remember their mother, and are very... See full summary »
Inês de Medeiros
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the ... See full summary »
Former boxing champion Belarmino answers a psychological facing the camera in close-up. Then the camera follows him in his daily routine, at home with his family, oggling the women and working as doorman to a night-club, as well as the of training and boxing sessions. Written by
After the so-called golden age of Portuguese comedy in the 40's, and the stagnation in the 50's, the 60's brought a new cinema (Cinema Novo)to Portugal, namely by Paulo Rocha, Manoel de Oliveira and Fernando Lopes.
Fernando Lopes' Belarmino is not really a documentary about boxing, but a documentary about the life of a boxer, Belarmino Fragoso, at the end of his short career. It is a very live, frank, surprising portrait of the life of a common man in Lisbon during the 50's and 60's.
It was very much influenced by the Italian Neo-realism, but it's cinematically much more stylish than most of those features. There are some wonderful shots of Belarmino training, strolling through the streets of Lisbon or at home with his family.
The main flaws, for me, are in the interviews, which, maybe because of the editing, become repetitive at times.
Compare to Kubrick's "Day of the Fight".
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